Nagai Longxue's sensational storytelling is quite good. The last 8 minutes from the beginning of the ED to the last 8 minutes of Unheard Flower's name is comparable to the part of "Dragon and Tiger" in the big river and snow in tears looking for Long'er. And in the second season of "H&C", Yamada confessed to Zhenshan. It's a very, very emotional clip when you take it out alone, and it's the best material to make tears to MAD.
The problem is that Okada Yuli, a female screenwriter whose mind was burned by Korean dramas, if this film talks about the bond between Mianma, Chaoping and buster from the beginning to the end, there is no hard-boiled multi-angle relationship of those disgusting people and those who do not have it. Blackening the plot, this film can completely rise to a higher level, at least the audience who chased it all the way will feel more comfortable.
To sum it up, if the frame is good and the script is bad, it depends on the performance to make it up. The logic and rationality should be put aside first, and the final words must be sensational until the soft meat in the audience's heart. Nagai Longxue deserves to be No.1 in this generation of supervisors. Next time, A-1 will give him the best STAFF. As for Okada Miyori, when you see this guy writing original animation scripts, you have to remember to walk around. I really can't bear the meaningless Korean drama plots you wrote.
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