Music is a kind of call to the little prince who turns gorgeously

Edd 2022-03-24 09:01:58

Although I read the comments, many people say that the complex is too coincidental. But as an emotional girl, after watching this kind of film, I still couldn't help but sigh and talk about some thoughts.
1. Genes are important. The film is a commentary on a one-night stand, of course, this one-night stand is entirely based on love at first sight. However, this kind of situation is rare in life, at least the conservative women in the East are unlikely to do it. This little boy was lucky enough to find his parents, saying that it was the call of music, which showed the importance of genes.
2. Blood ties cannot be ignored. Sometimes people who are related by blood will have telepathy, especially between twins. Although the ending in this film is mysterious, let’s just interpret it as the wonder of blood ties, connect them together, and then telepathically make the boy turn his head, smile like an angel, and then smile at God… Of course, this is the establishment of Based on the concerted efforts of the whole family.
3. The musical talent and musical ability in this film are rendered divine. It is a gift from God, it is a call from relatives, and it will guide you to a distant place. Music is incomparably powerful, and those who have this ability are given by God, so they should cherish it, or not give up, show it to others, and bring joy to others. Both fathers and sons can attest to this effect of music. Let us who can't afford music since elementary school, or have no talent, can't help but sigh, and have learned guitar, but soon put it on the shelf, it is inevitable to feel ashamed.

The little prince turned around gorgeously, and liked his performance very much. His pure face, clear eyes, and finally wearing a tuxedo to pick up the baton, made people feel extremely peaceful. What I admire about this film is its use of the lens.
In order to reflect the boy's talent, the sound effects were enhanced many times. In particular, at the beginning, the little boy was in the grass. The use of a bird's-eye view shot. The green grass was like waves. The boy closed his eyes and felt the natural music. It was very beautiful. There are also some tastes in the sense of heaven and man in Chinese Taoism.
Fate plays tricks, the boy's fate is ups and downs, but gold always shines. In the second use of the lens in the church, the boy is bathed in the sacred sunlight infiltrated by the stained window of the church.
The overlapping shots of the musical performances of the parents of the little boy at the beginning and end also echo each other, again pointing out the role of musical calling. In this film, the power of rendering music is strengthened. The boy is the embodiment of music or the crystallization of music, and finally the whole family can be reunited.
Regardless of the preaching, I personally think that a film that can move you warmly is a good film.

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Extended Reading
  • Amara 2022-03-25 09:01:09

    After ignoring the plot and performance, you can watch it.

  • Cleve 2021-12-12 08:01:15

    The high school music teacher showed us really good-looking!

August Rush quotes

  • Louis Connelly: [listening to the music on the roof with Lyla] Can you hear that?

    Lyla Novacek: What is that?

    Louis Connelly: It's a wish

    Lyla Novacek: Now what does that sound like?

    Louis Connelly: [singing] well it's a marvelous night for a moondance, with the stars up above in your eyes, a fantabulous night to make romance, 'neath the cover of October skies...

    Louis Connelly: When I was a Young fello, I used to talk to the moon

    Lyla Novacek: Are you making that up?

    Louis Connelly: God I haven't done it in a long time

    Lyla Novacek: Did it ever talk back?

    Louis Connelly: Well it used to, now I just find myself sitting up here talking to meself, like a loon

    Lyla Novacek: well I'm here

    Louis Connelly: yes, you are...

    Lyla Novacek: [watching Louis stare at her] what are you looking at?

    Louis Connelly: you...

    [they lean in and kiss]

  • Louis Connelly: Wait! Meet me here, at ten o'clock, by the arch!

    Marshall: [to Lyla, everyone egging her on] Go on then, say yes!

    [Lyla smiles a little, and nods]

    Louis Connelly: I take that as a yes!