Jane in the opening scene surprised me with neat little curls, which in the book should belong to Helen, but in the movie her curls are messy.
J has a LIER sign in the school. In fact, the original did not, and she was mentioned to the chair by two people. The proof of the teacher's honesty to her is omitted here.
Edward's appearance is slightly mild-mannered, lacking the fickle temperament of the original. And too revealing his frustration and reliance on J.
The gypsy woman was supposed to be played by E, but in the movie he hired her to test J.
In the end, when J told E his story, he should have stopped when he was telling the story, and he would confirm whether she was there, but instead he confirmed when J walked away when the two were talking on the grass by the river.
E's eyes are not dark, nor are they very deep. The original emphasizes that their child has the same eyes as his.
John takes J to Africa. The original book is to go to India as a missionary.
In general, it is very difficult to shrink the detailed Jane Eyre into a movie. But this brisk handling strengthens the love between them. It highlights the appearance E's appreciation for J and the reliance on her to open up her heart. The very secret emotions between them are also fully conveyed in their eyes and silence. Jealousy is also on full display. Their kisses also went from shallow to deep, suggesting the depth of their emotions. It is more realistic to distinguish this kind of love from Platonic spiritual love.
The confession was brewing for a long time because of the rain. First, there were gloomy clouds, but the sun was still full at that time. Later, after saying the classic sentence, thunder and lightning. It started to rain when they both came out. This looks more natural.
At the end, there is no account of E's eyes, and it ends in the form of a family portrait, which reduces the deliberateness of the original work.
View more about Jane Eyre reviews