ideal rhapsody

I admit that I was completely shocked by such a feeling film. After watching the first part, I was completely sucked out of my soul by Hiroko. Living so shrewdly and so confusedly, the film captures the details in place: cleverness, helplessness, confusion, grievance, sadness, low self-esteem, and the last little happiness. The interweaving spread in this fast disappointed city, Tokyo. At the beginning of the film, in the scene of heavy rain and traffic jams, Hiroko, who is a little uneasy and hesitant against the background of Amin's joking jokes, Amin has confidence and ambition even though his career has not been completed, but he doesn't even have detailed work details. Planning, in Amin's unintentional remarks that Hiroko has no ambitions, Hiroko broke out, and the gloom and anger accumulated in the heart of an unemployed and confused migrant worker. What was even more touching was the aggrieved face and the corners of the mouth that were angry and questioning, and then the innocence of the cold jokes turned into laughter. I once read in a magazine that the employment situation of Japanese youth is even more unfavorable due to the company system and other reasons, let alone for such a girl who does not belong to the real world. In the end, Amin's movie was finally released in an erotic movie theater. At the end, Hiroko shared the joy with others but saw Amin flirting with her friend. What's really pitiful is that there is no anger on Hiroko's face. , Some are just sad and instantly inflated inferiority complex, but they have to endure the constant touch of words to her sensitive heart. Finally, the director finished his finishing touch beautifully. Hiroko found that she began to slowly turn into a chair, and finally arrived at an artist's home. The film ended in a relaxed and comfortable atmosphere. At the same time, this section sublimated Hiroko's pure, kind and beautiful quality to the extreme, showing the materialized Hiroko. With childlike innocence and nature, watering, painting and playing the piano, Hiroko finally lived in a world she couldn't live in, as a small role in interior design. This is a fantasy of an ideal life. It is neither the director nor Hiroko who wrote this song. It is in the hearts of each of us, those struggles between ideal and reality that are constantly taking root, and the seemingly ideal edges and corners are about to be sharpened. Reality wears off, but when we all become a chair, the coat of reality will be taken off, and we will live in an ideal world naked.

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