Japanese woman

Alexys 2022-04-14 09:01:07

I'm really depressed
I can't remember how I got this movie on the list
of "movies I want to see" and it was on 4.35G when I saw it at 31:09 and I finally broke down and

kept haunting One thought in my head was:
Marrying a typical Japanese woman is destined for this kind of life, dear! ! ! Bad reviews are useless! ! !

The eldest son does not return home at night, the woman is indifferent, the
husband behaves so abnormally, the woman is indifferent
, the younger son is obviously lower than usual, and the woman keeps saying like a mentally retarded: fried doughnuts! ! !
Sweet your sister....
do you have a brain?
Mr. Lu Xun was "angry for his misfortune and grieved indisputable" towards the Chinese people,
and I was outraged at this Japanese woman and her Japanese husband, Japanese son!


At 31:09 seconds, the family finally appeared in one shot for the first time. The silent man for several minutes kept pouring and drinking. The remaining three were dead... I thought it was a gloomy moment before the storm so I fast-forwarded
and it turned out! ! It's just! !
"Let's eat it!!"
Eating your sister...

I'm sorry, I'm a simple and rude person. I really accept incompetence in such overly pretentious movies. It

also describes a depressing life and is despised. Matsuko and many other movies that describe Japanese women and Japanese life are much better than this!
It's a shitty movie.

So shitty that I don't even want people to know I've seen it
that's all

View more about Tokyo Sonata reviews

Extended Reading
  • Hassie 2022-04-20 09:02:57

    Damn it, the front is the side dish, which is the bedding, the second half is the real Kurosawa Kiyoshi, the fear of the end of the world, Imamura Shohei-style "maggot" feeling

  • Rosella 2022-04-20 09:02:57

    The bitter lament of an unemployed middle-aged man. 1. Kurosawa Kiyoshi's family films are still full of the author's imprint, just like the blown newspaper on the opening floor & the fluttering white gauze curtain (reappearing in the 2/3 of the film's turning point), dim indoor light, wife A close-up shot of wandering around while tidying up the eldest son’s room (with the ghostly piano music of unknown origin, between inside and outside of the painting), and the climax of the apocalypse. 2. Several indoor long-shot scenes are well planned, such as the scenes where the father quarrels with the eldest son and the younger son respectively (the wife has a defocused or clear face in the background). 3. The second half is very New Wave: three scenes (seemingly parallel through editing) running and fleeing, a thief with joy and self-examination, a parody of male and female thieves, and the seaside and wooden house at the end of the world. 4. In the traverse and long mirror, my father keeps tripping over the garbage on the overpass at night, like a microcosm of a hopeless life with repeated battles and defeats. 5. The eldest son's dream of returning from a killing in the Middle East battlefield, waking up from the dream and calling again from the beginning are just like a variation of [11]. 6. A redemptive interloper who can't save himself. 7. [Moonlight] Leopard tail. (9.0/10)

Tokyo Sonata quotes

  • Megumi Sasaki: Screw your authority.

  • Megumi Sasaki: How wonderful it would be if my whole life so far turns out to have been a dream, and suddenly I wake up and I'm someone else entirely.