Don't expect "Little Red Riding Hood" to make you sing "I was walking alone on the road in the suburbs, and I brought the cake to my grandmother to taste." Reverting back to a werewolf allows the audience to see the dark side behind "Little Red Riding Hood". It is a pity that the description of horror in the new version of "Little Red Riding Hood" is very unsuccessful. Although the film's environment settings and gothic atmosphere have the shadow of "Sleepy Hollow", as the director of the first "Twilight", Katherine Hardwicke Deliberately emphasizing the love story in the film, the rambling will separate the two lines of looking for a werewolf and love, and tell them separately, making the story very loose, a lot of you, me, me, and I make the movie derail , Little Red Riding Hood and everyone looking for werewolves are no longer the main line, but love has turned the otherwise brave Little Red Riding Hood into a downright slut.
Red represents danger and early warning. The blood behind "Little Red Riding Hood" can be imagined, but the film does not want to show an overly bloody side, so red can be understood as representing desire. The Little Red Riding Hood in the film is set as an adult, Love scenes will also have passion scenes, but Amanda Seyfried is stuck between two wooden actors, and the snow passion in the trailer is also missed, not to mention the director's spending on telling love. After so much time, it became long-winded and dull in the end. The love between Little Red Riding Hood and the male protagonist was not romantic at all. The old-fashioned pattern of the flower of a small town falling in love with a poor and handsome boy lacked new ideas and highlights. Under the performance of wandering spirits, he became coquettish and rambunctious, never letting go of any favorable opportunity to give his virginity. Compared to the pure love between Edward and Bella in "Twilight", the love story of "Little Red Riding Hood" explains what it means to be a frown.
Some suspense films are just right to render the sense of mystery, revolving around an unsolved answer layer by layer but interrelated, eventually all clues will be aggregated into a beautiful ending, "Little Red Riding Hood" certainly does not belong to this category, its The sense of mystery revolves around a clue, turning uncertainty into the source of the film's mystery. Everyone may be a werewolf, and everyone has their own secrets. The director who emphasizes details conveys many unreliable to the audience. The superfluous information of the film is completely incompatible with the trend of the movie plot, and eventually becomes dispensable, so it is a mystery.
If "Twilight" opened a new childhood for a generation, then "Little Red Riding Hood" has ruined the childhood of the previous generation, fairy tales are not fairy tales, thrillers are not thrillers, gothic not gothic, romantic not romantic, after reading "Little Red Riding Hood" "Who remembers the lyrics of "When the sun goes down, I have to rush home and go to a sweet dream with my mother"?
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