: The three of them can't be said to be completely parallel. In the movie, the three of them are arranged to meet each other once, and they all pass by by accident. This is interesting.
: There is hardly any impression that Americans can make such purely police-themed movies (except American dramas) so deeply. Once the police are free from glorification and myth (another term reflected in Hollywood movies is "personal heroism"), it may be quite ugly, but it is more flesh and blood, more real. To vilify the police is rather a revelation of an even uglier system behind it.
: So the Richard Gere pistol in the movie would never be loaded and would propose to a prostitute. So Ethan Hawke would go so hard to track down the drug dealers and repent to the priest. So Don Chandler would kill another villain for the sake of one villain and tell him that he was actually a policeman.
: Reminds me of Hong Kong movies, especially Infernal Affairs. It is N times better than the American version of "Infernal Affairs".
: Lastly, I quote a passage from Wei A's "Sorrow is more than a heart's work" to end my impression of this movie, which is a bit complicated - "The philosophy that the police is instilled is nothing more than the foundation: about the human world" "Injustice", "unrighteousness", "sin", etc., should not only be eradicated, but can be eradicated. This is a cumulative and eternal excitement that cannot fail. But in fact, every policeman who has been shaped understands that this is absolutely Impossible. First, the "injustice", "injustice" and "sin" that I have suffered cannot be eradicated - no one grows up in a vacuum before becoming a police officer; second, what I have seen" Injustice, injustice, and sin cannot be eradicated—in the Saha world, even Sakyamuni cannot do anything; Third, the “injustice”, “injustice” and “sin” created by oneself cannot be eradicated. This… …”
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