The female reporter who was hit by the tsunami experienced the brink of death, but wrote about her life and changed herself. From the impetuous reporter who fell in love with the director, she became a reborn writer.
A drug-drinking mother's courage to become a tour guide, shy twins to live.
George was unable to continue his normal life because of his death, but he met her because of this.
So you see, the deceased never looked back for us, but we the living never forget our loved ones who have passed away. In the final analysis, what we care about is not the world after death, but how to move forward alone in this world.
The ending of the story is a romantic encounter. All you get from San Francisco, Paris, and London in one city with each other is peace of mind. This peace of mind has nothing to do with the future, only their future and predictable lives in the future.
The twins' scene is the only moving, little boy, he doesn't know how to express his thoughts or his emotions, he only knows to keep saying: I don't want you to go, Jason, I'm very lonely.
I just want to say that not every scene ends with sadness, and those who have experienced death tend to know more about life. Like Mary said: I don't know if it's my brain giving me a phantom, or if I've actually been in that world.
Without your fantasy, how can we welcome my reality? All I want is the normal life of an ordinary person, to taste loneliness in those short-lived beautiful moments.
If it's love, it's still a family, right: Shenhan must find a goddess!
View more about Hereafter reviews
