First of all, we must praise the cleverness of the screenwriter. At the beginning of the film, there are two stories. The first story is about the robbery of the money transporter, and the second story is about a hero defeating five villains. In the end, the audience realized that the original story of the film was a fusion of these two stories.
Secondly, the black people in the film are good people and the white people are bad people, which avoids the suspicion of racism.
Thirdly, keeping a policeman as a living outlet will save you from boasting, appear objective and fair, and save a lot of trouble in the follow-up life of the protagonist.
According to the Chinese way of teaching children, after the red face sang, it was time for the white face to appear. After the praise, come some criticism.
The turning point of the whole story is that the black bald "Tai" suddenly turned against his bones and was unwilling to continue. Not only him, after that, there was one who was instigated by Tai to steal the fuse, and another who suddenly jumped off the roof by himself. There are only six people in a gang of thieves in total, and as a result, three of them found out with conscience sooner or later, actively or passively washing their hands, and the proportion of up to half seems to be a bit high.
Get rid of probability theory, let's talk about identity background. One is a former American soldier who worked in Iraq, and the other is a recent Christian. They may be excused for doing so. What about the one who stole the fuse and was killed with a dagger by his accomplice? What was the reason why he couldn't let it go?
The cash of 42 million was blown up twice. How does the bank handle it? What is the difference between this and theft in an essential sense?
That African-American veteran is so skilled and so smart, isn't it a living advertisement for the American military? You see, as long as you can endure the old guys who came back from overseas battlefields in the United States and deal with domestic crimes, it is trivial. Screenwriter brother, do you think so?
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