Women keep saying, how can you do without a man? The man then becomes the king of the woman. A man who becomes a king either becomes a stupor (like the stupid old man) or a tyrant (Wanzong). In short, in the end, it is impossible without men, not only men believe, but women too.
On this desert island full of metaphors, what men use to maintain their hegemony is nothing but labor. When was Jin Funan's courage to resist awakened? It was when she was harvesting potatoes alone in the absence of a man, carrying the weight that only men seemed to be able to bear before, that Jin Funan woke up. This awakening was something that even the loss of a daughter had not been able to achieve before.
Jin Funan raised his eyes and looked directly at the sun, which was a symbol of male supremacy. "The sun has spoken to me," Jin Funan said, and this is her gauntlet.
In the end, the king was killed, and none of the king's slaves were spared—they, who had fallen into slavery, did so almost willingly, without even trying. If it is said that this killing came from an institutional struggle, Jin Funan's pursuit of his friends is the ultimate question of hypocritical humanity. Bystanders always want to stay out of danger, and ignoring the tragedy is participating in the tragedy. It is a pity that Jin Funan's revenge failed in the end, and the portrayal of human tragedy finally surpassed the film's political metaphor. Like many films of the same type, Kim Funan's name is Korea.
View more about Kim Bok-nam salinsageonui jeonmal reviews
