Mediocre work that lacks passion, Reivew on Paycheck

This Wu Yusen's old work is quite sought after by some fans, but after reading it, there is no surprise. In addition to violent aesthetics, Wu's status in the Chinese film industry is actually inseparable from his depiction of the loyalty of traditional Chinese rivers and lakes. But after arriving in Hollywood, this kind of feeling has disappeared, and he has become a director who has completely relied on exquisite story planning and film editing to obtain box office. This reflects a great limitation. When this kind of shell is close to the mainstream consciousness of Hollywood, it can achieve a high box office, otherwise it is just a niche viewing film. This film is no exception. The actors are actually big enough, the choreography is fairly orderly, and the progress of the story is smooth, but it just doesn't make people feel motivated. The key is that everything seems to be as original as it has been designed, and even the iconic white dove flies correctly, making the audience who are accustomed to Quentin's unruly playing cards finally impatient.

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