Craftsmanship, Reivew on Le Samouraï

When young Alain Delon was silent, there was a kind of erratic beauty. Beautiful but not aware of it, so it is more pure. Wearing a trench coat with a stand-up collar and a top hat is a bleak Jingke-style character, and no matter how bad it is, he is a killer written by Gu Long, thin and powerful. It turns out that skinny suits and narrow black ties became popular as early as 1967. It's a little American when wearing a white T-shirt, but the quiet treatment of the wound, without a trace of superfluous movement, is a heartwarming scene.
Silently improves video quality. Arland's transparent blue eyes ranged from lifeless to sparkling. In contrast, the wild target looks like a cheap piece of bubble gum.
A killer has to cherish his feathers to not give up his signature trench coat top hat. The director quotes the definition of samourai at the beginning of the film. But killers and ninja warriors are definitely different, killers are highly professional and have no masters, only patrons. Perhaps it is more like a ronin engaging in the profession of assassination with the spirit of a craftsman.

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