I watched "Bad Boy" before, and shut down halfway through it. I didn't even know it was Kim Ki-duk's work. At that time, I just thought that the director who made this movie was definitely a pervert, a man who suppressed his ruthlessness from the inside out, and fell in love with someone who was a little vain and vain. The beautiful college student who finally turned her into a prostitute, and then hid in the dark to watch her every time she picked up customers. This is not a pervert, what is it! But now that I think about it, I was a young girl who had just entered college at that time. She had never experienced love, so she naturally didn't know what sin was, what lust was, and what was human nature, so I didn't love that movie, and I was even a little bit resentful. Of course, how to make it like that.
Now, it seems to understand. But still haven't found the movie and watched it completely. But I know that Kim Ki-deok is indeed a pervert, a pervert who understands human nature and lives for art...
Watch the Indian version of Lust, Caution, the love between a lama and a beautiful girl, or entanglement with desire is more suitable, when someone comments I recommend "Spring, Summer, Autumn, Winter and Another Spring", so I always remembered to look for it...
The film was watched on Kuaiwan, and I have to admit that the clarity of Kuaiban is always impressive, and watching "Spring" is even more impressive. Complement each other. The film is a dynamic landscape painting. The mountains, trees, lakes and ancient temples in the whole film are the absolute protagonists of the film. Characters are second to none. All the words of scenery are love words, and people are in it, from children to teenagers to youth to middle-aged and back to children again. The so-called spring, summer, autumn, winter and another spring.
I don't know what kind of words to use to describe this film, and I was even more embarrassed at this moment. I'm guilty.
The film begins with a clean and beautiful tone, yes, it is clean, so clean that it makes people happy, and then gradually becomes quiet in joy, watching all this quietly, doubting, hesitating, sadness and finally relieved.
This kind of film has never been a blockbuster that can show off gimmicks, and the erotic drama is not enough to watch, and there are no other conditions for commercial blockbusters to be used for hype. Director Kim Ki-deok just used his heart, his eyes, and his hands to create a beautiful paradise, so that all ignorant spectators can get a temporary silence in the senses of the scenery, and they can think after being quiet. What does he want to say?
A small temple isolated in a lake, surrounded by mountains, shaded by green trees, gurgling water, everything is in harmony. A dying old man and a naughty child. Rebirth and Rebirth. One has gone through wind and rain, seen through the world, and the other has never been involved in the world, with a childlike innocence. Children tied stones with ropes and then tied them to small fish, frogs, and snakes, laughing when they saw that they could no longer come and go freely. When I saw this, I thought again, is it because human nature is inherently evil, so the child finds satisfaction in the mischief, the master saw it, and did not say a word, just tied a stone to the monk while he was sleeping, and ordered him to To rescue the animal he pranked yesterday. During this period, the old man didn't say a word, he just used the most direct and even cruelest way to let the monk know that everything is a life worthy of respect. I think, since then, the monk has never done harm to animals again. His humanity was temporarily awakened when his master tied a stone for him, and when he saw the lives of small fish and snakes die because of his mischief. redemption. Is that forever? not necessarily.
Spring has passed. When summer came, the monk boy grew into a strong and handsome boy. He went to meet the mother and daughter who came from afar to treat illness. Seeing the girl's fair skin and exquisite figure, her latent desire was stimulated, and he was shy when protecting her from the rain. She didn't dare to look at her, and he couldn't help touching her while covering her with the quilt. His desires were overwhelming, and no amount of meditation and scriptures could bring back the sense of reason. Their crazy infatuation, in waterfalls, in temples, in boats, can not be closed. One detail that has to be mentioned here is really the finishing touch. At the beginning of the film, we may have found that the door to the bedroom and the outside room is fake, there is no wall next to it, and there is nothing blocking it, but the old man and the monk must pass through the door every time they go in and out. Even the old man tells the monk to get up. Open the door first and then call. I think this is the person of the Buddhist family. Without rules, you can’t form a circle. There is no door in the outside, but there is a door in the heart. This is a rule that cannot be broken at any time. But when the boy couldn't hold back his desire to have an affair with the girl in the outhouse, he crawled out from the side. I think this door is the door of Buddhism, the door of the heart, but desire destroys the door of Buddhism in the heart.
Desire is scary. All joys and sorrows come from the satisfaction or failure of desires. Even though he has devoted himself to cultivating Buddhism for decades, it is still difficult to resist the flood of desire.
When the young man finally left for the beloved girl, it was the beginning of the world of the world, and the old man did not keep it, because that was his past. If you don't experience it, you can't see it through. If you don't get it, you can't talk about giving up.
I think that life is not simply loving each other, nor is it simply carnal indulgence. It ultimately comes down to the material life of chai, rice, oil, salt, sauce, vinegar, and tea, which comes from mutual understanding and tolerance. When the quarrels finally made the girl who vowed eachother choose to betray, the boy's anger was raging again. He didn't understand why love couldn't be simply love, and he didn't understand why the girl who once fought to the death would betray him. In the end, he picked up the knife in his hand and ended his lover's life. Is this the way to quell your anger? Is it like this, she can always be her own...
I don't think so. He returned to the old temple, sad but longing when he left, but despairing in anger when he came. That kind of anger, that kind of despair, that shy and shy boy when he shielded his beloved girl from the rain, is gone forever.
He wrote all over the paper, wanting to end his life in despair and unwillingness, but was beaten severely with a stick by his master. In this way, with anger and despair, I left irresponsibly, and the soul will never get redemption and rest. The old man cannot tolerate it.
Similarly, he did not cover up. He took the police to the ancient temple, but begged his apprentice to finish carving the Heart Sutra before leaving. The police agreed. Let him finish the heart sutra, get the redemption and awakening of his soul, he is doing his greatest good. He couldn't save his life, but he valued saving his soul more. When the young man was sent away, I think the old man felt unbearable in his heart. He used mana to stop the boat, just so that he could turn back and wave to him again, saying goodbye to his last life. Although, the goodbye did not speak. But there were tears in his eyes, and his smile was so warm and kind. The silence speaks. He tried his best.
When the old man ends his life in his own way, the soul returns to nature, and this life comes to an end. A life, from derivation to extinction.
However, the torrent of time will never stop, and life will never stop. When an individual dies, another individual grows old, and another individual grows.
When the former man finally returned to the ancient temple, the years left wrinkles on his face, but all the dust was removed, and his heart was forever quiet.
When an abandoned baby was left in the ancient temple, just like him back then, he started his mischief and started this new reincarnation. How similar.
Carrying a heavy boulder on his back, he climbed up the hill step by step. The big stone in my heart never falls. He is making atonement for the sins of the year, for the sins caused by all this love and hatred. For the little fish, the snake, and the beloved woman, atonement for the lives that are worthy of being cherished and treated kindly.
When you think about it, thousands of rivers and thousands of mountains.
In a heartbeat, the whole world changed.
There is a saying that in life, old age, sickness and death, you cannot ask for it, love is separated, and resentment meets. Experience the four seasons of life through spring, summer, autumn and winter.
Spring, summer, autumn and winter are spring again.
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