Eat some now , save some for later

Demarcus 2022-04-18 17:34:53

Because people and ghosts have different paths, this love is more mournful and
this is the temperament.
temperament.
Looking at the previous reviews, there are probably two groups. One group praised the beauty of that love, while the other group criticized ABBY's intention to take advantage of it. I think it doesn't matter, the point of view is not there.
I don't believe in love, but I insist that love should be the sweetest affection in the world. In the end, love will often become family affection, which reflects the preciousness of love.
I want sweetness and warmth, not because of the movie, but probably because of the state of life. There is no one around to be considerate. The best buddy is not there, the only caring girl is thousands of miles away, she is lonely, her self is almost completely closed, and ATFIELD is almost as thick as the Berlin Wall.
In fact, it’s better to be farther apart, and it will be more cherished if you are farther away.
It's not that I have to wait for you, but since I decided to wait for you, I can't wait for others.
This should be the reason [LET ME IN]'s unique temperament deeply moved me.
Dark, gloomy, yet sweet. Every dialogue between the two children in the film is soft-spoken, every glance at each other is clean and shy, every hug is sincere and emotional, every sadness and tears, every meeting, every goodbye. , every action, every word, touched me completely.
But this kind of touch is not when watching the movie, but comes over and over again in the memories after watching it, and the touch becomes stronger with each memory.
Until now, I haven't dared to watch it a second time, because I was afraid that watching it again would destroy the hard-won feeling.
So I think, at least the director's handling of details is in place, skillful and friendly.
Maybe the whole story doesn't have that much tension, but the depiction of the corners and corners can be considered well-intentioned. For example, ABBY said goodbye to OWEN but went back again, but he never showed his face or even said a word, because those were all superfluous at this time, so the words lightly tapped on the box with his hands were quite touching. Because the two children are already connected to each other.
This makes the whole movie look like a girl who is not conspicuous at first glance, but when she looks closely, she is so charming in her gestures, which is called temperament.
In addition, the soundtrack is well done and it can set off the atmosphere very well. And I personally think that because the rhythm of the film is slow, it seems more tense. Contrary to [Confession], [LET ME IN] has a smaller story volume, but it took 115 minutes to shoot, so the slowness is certain. But there is no doubt that the slow rhythm fits the film's temperament appropriately. While there are still plenty of Hollywood moments, there's no denying that this is an exquisite film.
EAT SOME NOW , SAVE SOME FOR LATER
This is the song Owen sings when Owen and Abby finally set off on a journey in the movie. It is long and far away.
That`s all. That`s enough

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Extended Reading

Let Me In quotes

  • Owen: [after Owen gives Abby the Morse Code] Tap-tap-tap-tap... pause... tap-tap.

    [Hi]

    Abby: Tap-tap-tap-tap... pause... tap-tap.

    [Hi]

  • [last lines]

    Train Conductor: Is that trunk yours?