To be honest, I rarely watch overseas movies. Occasionally obsessed with stunt shots in some sci-fi blockbusters. It's hard to stop and watch an overseas love work. I have always only admired the subtle and tender beauty of domestic love, and I have always been uninterested in the unrestrained and outspoken expressions of feelings abroad. However, by chance, I watched this French love masterpiece "The Big Nose Lover", which changed my long-standing view and moved me. Even moved has become pale and powerless, it should have shocked me. I was shocked by "Big Nose" Shihano's outstanding talent and brave character; I was shocked by his fiery heart and exuberant passion for love; moreover, he would rather sacrifice his own spirit for the happiness of his sweetheart. shock.
The film focuses on the secret and fiery love between the noble young Shihano and his cousin Rogsana. Shihano has learned a lot, and is very brave. He can express everything in the most beautiful verses, as if his language were verses. At the beginning of the film, he used twenty minutes of heavy ink to describe his brilliant talent. The theater of ten thousand people flashed his vigorous figure, and he dared to challenge those vulgar nobles. In the time of a poem, the enemy is defeated by his sword. Even a hundred people against one person, he can easily triumph. He is confident, brave, and seemingly unmatched. At the same time, he is passionate and unswervingly loyal to love, and is worthy of being a "Love Saint". But he also had a fatal wound, and that was his face with a big nose in it. In front of it, our general lost his fighting spirit and courage for the first time. It became a misfortune that should have been full of love. Shihano could only secretly fall in love with his sweetheart.
However, Rogsana was still attracted by a young and handsome face after all. He is Christopher. Young and handsome, this is something that a big hero does not have, and this has become his greatest advantage. The cousin confided her heart to the cousin who loved her, but she didn't know that this would drive the invincible hot-blooded man into the abyss of despair. However, the hero sacrificed everything for the happiness of his lover, even his soul, which the young and immature Christian did not have. Therefore, Shihano was crying out for love in the dense woods, but in the name of Christ, he was actually shouting his heart. With the help of Shihano, Christopher successfully won the heart of the beautiful woman. But Xihano has been standing in the dark, alone, but has no regrets.
After a long time, the beautiful and intelligent Rogsana finally realized that she was deceived by good intentions, and that the soul she had loved and passionate about all along belonged to another person - her big nose cousin!
When the film ended, I found that I was the only one left, because the audience had already left the stage one after another, and I had been immersed in this vigorous love tragedy. I am a person who has never been in love, but I was moved so deeply, so truly.
The expression of love is not necessarily the same, sometimes even the opposite expression. Just like the end of the film, Shihano still kindly concealed at the moment of his death: "But, dear lover - I don't love you." A sentence of "no love" expresses his most intense and ardent love for his lover. A philosopher said: The greatest tragedy of love is not being rejected, but difficult to express. Shihano has been faithfully abiding by his way of expressing his love all his life, not asking for anything in return, as long as his lover is happy.
This love is also a contest between soul and appearance, and love makes a judgment. The results, although not satisfactory, are gratifying. Because in this war, the soul conquers love. But then I think of the era of fast-food love that advocates dewy relationships and popular breakups and happy breakups. It seems that the age of innocence and loyalty to love is so far away, and it is even more extravagant to pray for a true love for the soul. Who can choose justly between soul and appearance?
My tone seems to be too extreme, and I have been exposing the ugliness around me. In fact, I have also inadvertently integrated into the worldly vision. I'm afraid to ask myself, when my love comes, can I give a chance to someone with a plain appearance but an unusually tall soul? Perhaps, I will also be afraid of "big nose".
Now, can we ask ourselves, on the scale of soul and appearance, on which side do we put the weight of love?
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