This gives me how to look to the future.

Jaylen 2022-03-23 09:02:26

I've never seen a happy Jew, and all the images I can think of are stereotypical: frown, bushy red beard, and little brim over the Mediterranean. They live in isolation and will never be the mainstream. Depression is always maintained. The depression that is churning in the bones is not something that young people can easily imitate. When a Jew walks past you with a chilling air, you nod and smile at him, and he gives you a wry smile.
Woody allen is such a thing, born to suffer the torture of thinking.
You can't afford to hurt. If a teenager opens a tome at an age when he should be intoxicated, he has already embarked on a path of no return. He will sneer at Supergirl, not believe in any theory, full of Critical anger and fondness for intellectual challenges. The teenager is very isolated on the road, looking at the hurrying crowd on both sides, moving forward along the axis of time with you like a parallel line. , The young man began to be lonely, wondering if one day he would end up in the hurrying crowd.
The movie uses entropy to illustrate this irreversible situation. Since it happens, the chaos will only increase rather than subside. If in the future my juniors take a Li Ao or Lu Xun book from my bookshelf without me noticing, I will shout loudly: "Have you made up your mind? Are you sure?"
This movie is like the old age of woody allen A long sigh when I looked back, it was considered half a comedy, but I was still sighing and shuddered when I watched it before the screen. How the hell am I going to look into the future, how am I going to get up in the morning.
Woody Allen's understanding of movies has always been literature. Extending his imagination, he pondered his own script under the lamp with a cigarette in his mouth. His thoughts might be projected on one or two leading actors, but sometimes he felt that this was not enough, and then he began to suffer. Sent the text to make a sentence, let the actor start a large solo line directly to the audience, which is too freehand.
He never took the movie seriously. The marriage of a beautiful innocent girl from the south and a professor who lives in isolation is completely the tune of spiritual love. The actress even has to take the initiative to woo, and it is not this movie. According to the plan, all the actresses in his movies will have this kind of behavior. A bridge that collides with real life seriously, from the early annie hall to barcelona,. I can also understand that the director must be lonely and broken, and it is up to his temperament to make a movie.
At the end of the movie, there is a dialogue I excerpted below. Allen wrote that he must breathe a sigh of relief, happy, and finally can start the ending.
I am a profound and sensitive soul with an enormous grasp of human condition.
It was inevitable you would eventually grow tired of being so grossly overmatched.
Greatness isn't easy to live with even by someone of normal intelligence.
I'll roughly translate it here :
I have a sensitive yet profound soul, yet have to succumb to human normality. It is inevitable to suffer the pain of this conflict. Getting along with me is not easy even for a normal person.
After he finished speaking, his relationship with the girl was over, and while the girl rushed into the red dust, a lonely character who couldn't be hurt was reborn.
But the director still had some hope with the movie. He mentioned a chance factor that if you are lucky, you can still meet comrades who understand, and the movie is over.
If you happen to see this in hundreds of reviews, wish me luck!



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Extended Reading

Whatever Works quotes

  • [first lines]

    Boris Yellnikoff: That's not what I'm saying, imbecile. You guys completely misrepresent my ideas, why would I even want to talk with those idiots.

    Boris' Friend: Just calm down.

    Boris' Friend: That's not true, Boris.

    Boris Yellnikoff: No, don't tell me to calm down, I am calm. Just stop.

    Boris' Friend: Don't jump on us just because we don't understand what you're saying.

    Boris Yellnikoff: I didn't jump on you. It's not the idea behind Christianity I'm faulting, or Judaism, or any religion. It's the professionals who've made it into corporate business. There's big money in the god racket, big money.

    Boris' Friend: Here we go...

  • Boris Yellnikoff: Don't you know you have to sing happy birthday twice to get the germs off?