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Lola 2022-03-23 09:01:54
The denouement is touched with a grotesque, visual poetry. Bonnie and Clyde have solved their sexual incompatibility. This aspect of the film is unduly sensationalistic and contrived - in reality, Bonnie loved another member of the gang, not shown in the film, and actually , she was simply not Clyde's kind of woman. The implied homosexuality of Clyde is also of dubious origin and clumsily handled in terms of clarifying his personality. The legend clashes gently and movingly with the real. Actually, Bonnie had a tattoo on her thigh. Over 167 buttlets were pumped into the car, and nestled among the guns and ammunition in the back seat was a saxophone and some sheet music, but film is a film, neither tattoo nor saxophone can we find in it. ^_^
Extended Reading
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Roger 2022-03-27 09:01:06
I finally saw on the big screen...the road...the "light" day, the lively soundtrack VS the continuous crime, the ending is as beautiful as the saints flying into the kingdom of heaven...the history of the spiritual adventures of American female literary youth, the rebellion for a reason...the subject of communication science, Cat-and-mouse game-style public opinion competition... Highlighting love, weakening social criticism... Donna Weimei type... Female supporting voice is noisy, screaming is disgusting to the audience, and it is also the beautification of the pair of robbers... Mother and daughter reunion is like a dream...
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Sarai 2021-12-07 08:01:40
When Clyde touched the gun triumphantly and contentedly, the character's secrets were completely exposed...car uniforms, the Americanization and typification of the new wave.
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Clyde Barrow: Alright. Alright. If all you want's a stud service, you get on back to West Dallas and you stay there the rest of your life. You're worth more than that. A lot more than that. You know it and that's why you come along with me. You could find a lover boy on every damn corner in town. It don't make a damn to them whether you're waitin' on tables or pickin' cotton, but it does make a damn to me.
Bonnie Parker: Why?
Clyde Barrow: Why? What's you mean, "Why?" Because you're different, that's why. You know, you're like me. You want different things. You got somethin' better than bein' a waitress. You and me travelin' together, we could cut a path clean across this state and Kansas and Missouri and Oklahoma and everybody'd know about it. You listen to me, Miss Bonnie Parker. You listen to me.
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Bonnie Parker: What would you do if some miracle happened and we could walk out of here tomorrow morning and start all over again clean? No record and nobody after us, huh?
Clyde Barrow: Well, uh, I guess I'd do it all different. First off, I wouldn't live in the same state where we pull our jobs. We'd live in another state. We'd stay clean there and then when we'd take a bank, we'd go into the other state.