Why don't you go home. Holding a book of poetry, soaked in the rain.

Clark 2022-03-23 09:03:22

Almost all the warm films in recent years have the same key word - going home. "Cape No. 7" returned to Hengchun from Taipei, and the Japanese are really the most profound, "The Undertaker" has returned directly to the depths of the soul. I like Edward Norton so much that I took the risk of watching Blades of Grass in the half-hearted review. This is a good movie. It is not like "Cape No. 7" with its comedic structure and exaggerated big action, and it is not like "The Undertaker". there. Often we are too attached to the question itself, and we always have to travel a lot before we find out that the answer has always been with us. It's just that these questions can sometimes be understood in just a moment, and sometimes it will take a whole life. Maybe it's because I said something about me that made me feel the same way in these places. Maybe it's not too special to be someone else.

When I was still in Hebei, I said that I missed the thunderstorms in Yunnan. They said that there were thunderstorms in Hebei too. I said that the smell of soil is different.

A little hypocritical indeed. However, when I think about it carefully, I left Yunnan at the age of 18 to go to university in the north, and then moved to Chengdu to stay for five years, but I never saw a thunderstorm with my heart.

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Extended Reading
  • Kurt 2022-03-27 09:01:21

    Norton is so handsome, his acting is so good, his voice is so sexy...

  • Shana 2022-03-02 08:01:41

    It's a collection of familiar faces in American dramas

Leaves of Grass quotes

  • Janet: You still leaving tomorrow.

    Bill Kincaid: I think so.

    Janet: I'll miss you.

    Bill Kincaid: And we barely know each other.

    Janet: "You have not known what you are. You have slumbered upon yourself all your life. Your eyelids have been the same as closed most of the time. What you have done returns already in mockeries. The mockeries are not you. Underneath them, and within them, I see you lurk."

    Bill Kincaid: [absorbing what she'd just quoted] Who was that?

    Janet: Walt Whitman.

    Bill Kincaid: I don't think I ever imagined hearing him recited to me by a girl gutting a 40 pound catfish.

    Janet: That's exactly how he should be recited. He wrote without rhyme or meter. Free verse. Just whatever he felt inside coming out in one intricate rhythm. Pure unashamed passion, without definable restriction.

    Bill Kincaid: I'm sorry, see, I have a few issues with that.

    Janet: Why?

    Bill Kincaid: Because some have dared to suggest that even poetry has rules.

    Janet: Or you make your own.

    Bill Kincaid: Right there, that's the part I never bought into.

    Janet: Because?

    Bill Kincaid: If everybody runs around making their own rules, how can you ever find what's true? There's nothing... there's nothing to rely on.

    Janet: "One night, I split my cicada skin, devoured your leaves, knowing no poison, no law of nourishment in that larval blindness, a hunger finally true."

    Bill Kincaid: Who's that?

    Janet: That's me.

  • Brady Kincaid: I ain't gonna manufacture or purvey anything that I ain't gonna ingest into my own sweet self.