hitchcock's expressionism

Estevan 2022-04-07 08:01:02

I have always believed that hitchcock was heavily influenced by German expressionist films, and this film is a proof, (the tenant who appears in a thick fog, the cuckoo alarm clock that suddenly frightens the landlord when the tenant arrives, and follows the tenant The chandeliers with cramped footsteps kept shaking, the stairs that seemed to fall with the steps of the tenants (fallen souls)...), but it was not until the moment before the end of the film that the audience suddenly realized that all of this was It's hitchcock playing them! It's amazing!
You know, this is only the third work of hitchcock's temporary director! It's really "a genius from ancient times"!
In hitchcock's films, "love" is definitely an essential element. (This has also become the signature of hitchcock in the future, "suspense" and "romance"), whether it is the "heart" game between the police and the heroine, or the chess game by the fire between the tenant and the heroine, or the tenant and the heroine. The affectionate kiss at the end of the film... can be called a fascinating drama!
Hitchcock's critique of news public opinion and the public's blind obedience in this film is obvious, such as the newspaper vendors who shouted that Tuesday (murderer's day) is my lucky day, such as the group of people who almost killed innocent tenants them.
Finally, let's talk about the real murderer in the movie who never appeared in front of him. Why he took revenge on those women who are helpless is really baffling. Of course, there may be no explanation at all, hitchcock Just borrowed "Devil Jack", the real-life demon who once appeared, as a pure movie clue.

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Extended Reading

The Lodger: A Story of the London Fog quotes

  • [last lines]

    The Landlady: Your toothbrush - you left it behind.

  • Joe Betts: Does this lodger of yours mean any harm to Daisy?

    The Landlady: Don't be silly, Joe. He's not that sort. Even if he's a bit queer, he's a gentleman.