In the first few minutes of the movie he threw his bike into the sand and threw off the ropes of the swing - like any normal teenager of his age, sitting on a wooden horse, he wore a woolen hat, he put It tugged down, puffing and rubbing against the frozen-white hands—nails short and knuckles small, like the rest of his body.
When a car came, he hurriedly took out his cigarette and lit it, staring at the car without hesitation. The fat grocer looked at him from the half-down window. He put his hands in his pockets, clamped his clothes, shoulders. Walk past one by one.
He lowered his eyes to consider every client who approached him, and they made no secret of their fascination and affection, and met his blue eyes directly - the transaction at first happened so tacitly and so tenderly that it was more like a The love that comes and goes, and the old man in the baseball cap offers him candy and toys, he offers the naivety he deserves at his age, and that's fair enough, eight-year-old Neil thinks it's love.
In fact, not every movie has to explore a profound social problem, to find a reasonable explanation and answer for a phenomenon, to condemn the wrong and praise the right, otherwise it will be too painful to watch the movie. Pedophiles deserve hell, and I'm not going to whitewash them, but when the camera is so long and things happen so close to me, I can't seem to stand on any moral high ground to blame, It makes the film seem more like a story, without the tone or posture to blame.
Perhaps it is because there is no such plan that the sad ending is more moving, Neil said. I hope he can telepathically sense me and understand that I am very sorry for the past. I wish we were like two angels, fly and fly and then disappear.
Finally, the subtitles of the PPS are simply outrageous, which directly caused me to hear the whole film very painful.
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