What the heck is this sudden turn of affection! Is the foreshadowing buried so suddenly that it hurts a bit!
I understand this type of episode that shows someone's past, fills a gap in someone's heart, warms someone, satisfies, transcends life. AB's character background setting is still softly tapped into people's hearts, and the piano sound accompanied by those confession and blood scenes still resonates time and time again. These delicate and soft parts have been inherited and have to be Said, although I could have thought at the beginning what kind of tears and warm route this article is going to take, in the end, it was successful for the screenwriters.
Thirteen episodes is a long foreshadowing, slowly starting to cultivate your softness and your emotional empathy. From the story that was stacked one on top of the other, to the realization that Tachibana is a good boy, to the sigh that Otonashi was about to start closing the palace, to the sudden hearing of Mr. Akira Ishida running in to make a cameo to the unknown final boss, and then someone, really I didn't expect it, I really didn't expect it, I just thought that Otonashi was a very simple good person, very simple with brains, very simple to be set as the protagonist, and Otonashi actually confessed. The background music is so emotional.
Madam, you are foul!
I was crying. Especially the writing staff really made Kana disappear. And a certain man actually disappeared and became the student council president. This kind of looks satisfied but can feel the regret and depression that cannot be expressed.
And finally. Do what do what! This is the mode of reincarnation and goodbye of male and female characters again!
This movie really made me laugh, cry and flip the table.
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