In the end, I can't forget those women and that man

Someone asked me, what is this movie about? In fact, I don't know very well, maybe it's a very depressing thing between a very depressed director and his women. There is a traditional good wife, a charming mistress, a confidante, a YY object of childhood, a noble MUSE, a fashionable beauty who is in her arms, and a mother who acts as a spiritual pillar. This is the dream of most men. But it seems that living like this is still very painful. Although women are infatuated, their infatuation is limited. Throughout the film, Cotillard's performance is brilliant, I remember the Christian saying of her character in the play, "This is a traditional good wife, she only does one thing, self-sacrifice. ." The whole film Cotillard showed her infatuation with GUIDO and her complete sadness and helplessness. It's not that she no longer loves him, but that she really gave everything but got nothing. The man told himself that he was busy with his business outside, but he put down the phone and went to the train station to pick up his mistress, doing things that were unfaithful to his marriage in a cheap little hotel. Cotillard's two songs in the film are very good, and the use of black and white shots is also in place, but the switch between reality and reality will make the audience feel stiff. Personally, I prefer TAKE IT ALL. It's a song that you like very much if you like it, and hate it if you don't. But a dance with a fragrant and revengeful feel really shows the helplessness of the wife.
Speaking of singing and dancing, KATE HUDSON really caught my eye. In this musical, I was looking forward to NICOLE KIDMAN. Thinking of her hot dance and beautiful songs in the Moulin Rouge, people can't help but guess her performance in NINE, but she was just standing in front of a set wearing what she wore when auditioning. The prop costume wore GUIDO's hat and sang a very resentful song "Ah, why don't you come upstairs to find me?" Although KATE HUDSON's role in the play is not very important, but the singing and dancing are very brilliant. And a group of little male models dressed in beautiful fringed dresses and naked to express her fascination with GUIDO shots. The dancing was good and I was amazed by KATE HUDSON's voice. With heavy makeup and perfect shape, I really feel that she is someone from the fashion kingdom of VOGUE.
I am not particularly fond of that Spanish woman. But this role is really suitable for her, and it is almost a true character. A dance fascinated GUIDO on the other end of the phone, so, ah, the little three in this world are very arrogant. Although GUIDO is just playing with CARLA, she is really invested in her feelings, but in the end her feelings hurt everyone involved. I remember that the doctor came out of the hotel room by the train station and said to GUIDO, "Your show business is really dirty." I couldn't help but ask, are you complaining, director?
If a good director makes a musical, they can make a lively movie, but if a bad director makes it, it can easily turn into an MV inserted in the story. With "Chicago" before, I think ROB Marshall wouldn't be called a bad director by everyone, but "Nine" can't avoid the fate of being recognized as a bad film by everyone. This film really has the feeling of a serial MV inserted. Some songs are very bluntly mixed in the film, and the audience is dragged and dragged to swim in the world of YY with the male protagonist. The common problem of Italian men is that they like to rely on their mothers, and they can't forget it. Sophia Roland's appearance in the play is very strange. GUIDO drove to the press conference by himself, and when he was driving, I drove his mother, Sophia Roland was sitting in the passenger seat and gave him a blank look, OH MY LADY GAGA, YY's world is so magical. But this is also an occupational disease of the characters in the play as directors.
Seralina, that is, Fergie's sand dance is very innovative and exciting, but the appearance of this Seralina is really weird. She gave GUIDO the first lesson in life, and then the church and GUIDO's mother gave GUIDO the second lesson: this kind of thing can be done alone, why bother with the big guys?
The mother has passed away, GUIDO and his confidante who also looks very motherly. This confidante is helping GUIDO maintain the marriage without hesitation. He called LOUISA and told GUIDO that his wife had a birthday yesterday. Remedy is still available. Who knew that there was a mistress halfway through, LOUISA was embarrassed and could only turn his face on the spot. LILI, who is the costume of the film, not only helps GUIDO in his life, but also in his career. Although there was no script, the costumes and props were made on time. The clothes are very beautiful, and the people who wear them are also very beautiful, but the scene of trying on clothes is really maddening, Nicole is standing in front of the camera "I can turn left, I can turn right, and I can turn around" , such a performance naturally cannot meet everyone's expectations for NICOLE. Speaking of NICOLE KIDMAN, she has been working hard to get rid of her box office poison in recent years, but how can such a performance make people cheer for her, I expect NICOLE to make a beautiful turnaround, but it will definitely not be in the NINE movie Turn inside.
In the end, I can't forget, I can't forget, GUIDO is indeed a greedy character. He wants a wife and another woman. He has too many distractions in his heart and trivial troubles around him. Where can he make a good movie, even if his new movie Calling UNIVERSITY wouldn't be a good work. It's better to come out with a memoir called "Things I Had to Say About Me and They". No matter what era, gossip is the most eye-catching. If you must make a good movie, you can only put aside these emotional trivial matters and settle down. Although trivial matters are small, they can annoy people to death.
Although my evaluation of this movie is really not high, I still recommend it to anyone who wants to watch a blockbuster movie.

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