Unlike "Spirited Away" and "Howl's Moving Castle", this is an animation that is almost completely unrelated to love, but it moved my eyes several times. Then I remembered the animations that are full of love today, and I suddenly felt that they were all clouds.
No spoilers. Let's talk about color and music.
Bright, bright, full, and thick, whether it is a natural landscape or an artificial interior, as long as you look at those beautiful pictures, your heart seems to be filled and brightened. Even though there is a violent storm, I know that it will be sunny again after that.
Combining the advantages of Xin Haicheng and Jin Min at the same time combined with the advantages of the two - I don't know if it is appropriate to say this.
Unlike color, which is Miyazaki's consistent style, I personally think this music is an unexpected highlight. More lyrical and more infectious. If Joe Hisaishi's music is like a dexterous female cat with shiny fur, then this time (sorry for not noticing who is in charge of the music...) may feel like it is about to mature but the fur has not yet receded. the little beast. The catalytic effect of music has contributed a lot to the place where I almost couldn't help myself several times. And at the end of the last movie, no one left, until finally "おわり", and finally the music and the screen were silent together.
"Want to see it again"
when walking out of the cinema, just this one thought
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