In fact, the narrative in the middle part only retains the moment when the parents died in a car accident. The rest is superfluous as a whole. The part without flashbacks does not affect the understanding at all, which not only drags down the rhythm of the plot, but also is inconsistent with the front and rear. In terms of contradictions, the performance of the flashback part is actually not bad at all.
The front and rear parts are really pleasing. The perfect combination of perspective and image is more skilled than the director's previous work, and the sense of space is surprisingly good.
In fact, "chaos" is not surprising. It is just the "appendix" left over after the emergence of human ideological civilization with the emergence of prenatal and postnatal care.
View more about
Enter the Void reviews
