"Peacock Town" is a film about the experience of a woman who did not exist from her entry to the world. Emma in this film clearly knows what she is doing and who is in the hands of happiness, and she just happens to have the ability to defend her happiness.
The film begins on a busy morning. Unlike "Secret Window", the truth is revealed at the end. The film lays out the truth early, so that the audience can understand John's little secret in their hearts. The townspeople headed by the aunt laughed happily: Damn, you can't tell the difference between men and women! Ellsworth divides infant attachment into three types, secure, avoidant, and rebellious, and it is clear that John has no choice but to begin his life in the third attachment: he cannot bear any brief separation from his mother. , but resists contact with her mother when she is with her. The reality is that, whether it is pathological or normal, once the individual adapts to a fixed mode of survival, it is still relatively comfortable, but once the situation loses its original balance, everything will be different. John is not a perverted serial killer in "CM". Instead of leaving his mother's corpse by his bedside and living off of cannibalizing fantasies and fulfilling delusional stimuli, he just created a new friend—Emma—without affecting anyone else. They live a regular life of 8 to 5, and each see Nanshan leisurely in a parallel world.
The occurrence of strange events such as the locomotive breaking into the yard itself means that the story is fictional. This is not an adaptation of a true story or a folklore of great joy and great sorrow. It is like the game of water that john often plays. What a ripple of influence. It is a matter of time before Emma sees people. It is unexpected to appear in such a big battle. I said earlier that this story is a story from entering the WTO to being born. The moment Emma opened her eyes was her entry into the WTO. By the way Yes, the focus of this film is not on John's morbid struggle. The positive communication between the two in the film is very limited. Only the scene where John unpacks his luggage in Room 9 is the most profound. The film focuses on Emma, but John's role is instead. relatively weakened.
Emma's entry into the WTO is somewhat passive. After her unexpected appearance, Aunt Susan said: But you are your own women reminded her that I can go out of the house. Then things went into chaos. First the politician's rally invitation, then Maggie's appearance. Emma feels more and more that john is no longer a sweet breakfast reminder to herself, but a deadly bell at midnight. So she designed a wonderful script and put it into practice. The result was that everyone was happy, the politicians got a music rally, Maggie also left Peacock Town, and Emma successfully expelled John.
An obvious symbolic picture in the film is a house standing in a field, which should refer to john. In the last picture, only a green field was left, and the house disappeared. This picture appeared on the night that john was burned to death. In this sense, john's subject personality has been lost.
But why did Emma finally return to the original trajectory of life, because a premised fact still exists - a truth that everyone has known for a long time: john=Emma. Her entry into the WTO was doomed to end in birth. No matter how different Emma's behavior was from John's, the amiable treatment of the neighbor's wife, the simplicity of her speech
, and the fact that her gender was very different from John's, none of this could hide the fact that they were one. In most cases, Emma is caring for john. She cooks breakfast tenderly, cleans up the house, finds that john's tin is silent, and puts her photo in her mother's room instead of her own, including the final release, It's all typical of john's characteristics, and what she said during the release was not even worse than john's.
It turned out that this was just an episode of Emma and John's dull life, nothing more.
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