The second scene is when Behan feeds his sick sister. Behan's character modeling has very prominent features. One lens of the glasses is transparent, and the other lens is fogged. The grandmother gave Behan a turkey. The turkey occupies an important position in the film and has different meanings at different stages of the film's narrative advancement. In this passage, the turkey is Behan's partner, representing loyalty and indifference. The indifference of the world. But this move aroused his son's dissatisfaction and resentment, and also laid the groundwork for his son to kill turkey cooking later. Behan played the accordion while his son got angry, and then his son painted. Then there is the transition to the exterior scene through the chirping of the turkey, and the sound of the organ will still connect the space in series. And the layering of the sound and the direction of the sound source have better processing.
There is something unique about this film. The overall feeling to me is a bit similar to the Godfather + Sicily Beautiful Legend + Trainspotting hybrid. Behan's turkey is his partner and the carrier of his humble teenage fantasies. I remember a scene where Behan and the turkey are face to face. He and the turkey spread their wings at the same time and want to fly high, which not only represents Behan. Han's yearning for freedom is also a hint for the later Behan to go out to the arena, but the turkey was cooked by the unscrupulous uncle. . . . . . Does the turkey ending also hint at Behan's ending? unknown.
The scene where Behan and his girlfriend talk about lime is very interesting, not only the use of lines and shots is also very interesting. When he and his girlfriend were talking about the burning of lime under a large stone, the camera moved vertically above the stone, Behan was holding a shovel to burn the lime, and his girlfriend was with him next to him. advancing and moving. At the same time, in this section of the film, a diary-style narrative method of Behan is used. When it comes to kissing, the transition to the cinema is the place where Behan and his girlfriend kiss for the first time. Behan shows his girlfriend a magical little magic to make canned food. Move, this confession makes it less abrupt to show this magic when the grandmother walks out of the village with his grandson when the grandmother cures the village chief's son's illness.
In one scene, Behan tried to commit suicide, but the person who rescued him was the homeless person he teased at the movie theater.
There is one scene that I particularly like. During the bonfire festival, Behan is naked holding a turkey. The background is the river water with a texture like black oil. People walk through the water with torches. The camera cuts to a close-up of the breast. Behan and his girlfriend Flirting on a boat. Their children peeping on the shore, the rhythm of the river, the light of the torches, and the tears of the grandmother make this scene like a dream, which is not very consistent with the overall tone of the film. Behan in this period is the happiest and purest. , with love, like an angel.
Next, the innocent Behan is about to enter the society. The motivation for this incident comes from such a scene where Behan goes to his girlfriend's house to propose marriage. It is also a scene that I don't like very much. It's too vulgar, vulgar, vulgar! The powerful mother-in-law thought he was poor, and then the young man was humiliated and motivated, and then he knew with his thighs that the protagonist was NB, and then came back and threw a bunch of money to his mother-in-law, and the mother-in-law smiled and sold her daughter to him. Alas, when I saw this episode, I felt that the poor sons of the people all over the world have suffered like this. . . . . .
Then, my sister fell ill and needed treatment, but the family was not only financially difficult, but also had access to a good hospital. Coincidentally, the village chief's return to the village to do errands also gave Beihan an opportunity to leave the village. In the back, it is a clichéd interpretation of how an innocent little boy becomes a gangster step by step. Aside from that, I really liked this movie, after all, he's related to us or to every older person's past.
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