Although he still records his youth, the emotions pervaded by the film are completely different from that of the debut film. The previous film has more injections into his own experience itself, and the deep-seated and even painful things are more direct; then the later film has added many of his own feelings, To love, to friendship, to the new wave, to screen symbols like Hepburn and Dean, to poetry, to music... everything is pure, and all feelings are pure.
Of course, when it comes to the language of his camera, there are not too many new things, slow motion, paranoia of the back, close-ups from all angles, the insertion of outsiders' words...
But for me, it is still a very pleasant journey.
Now all the admiration is based on his age, his sensitivity to the world behind the camera, his courage to face his inner self, his mastery of the genius and passion of film techniques, and his exploration of the actor's characteristics; of course, in front of the camera Delicate and flawless.
Looking forward to "Lawrence of Two Sides", what kind of spark can he create with Louis Garrel? Continue to pay attention to its long-term development in the future.
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