confession third explosion

Another reminiscent film is Antonioni's American film "Boundless Spring on the Perilous Peak" (1970). The film goes deep into the barren zone of American capitalism, and the ending blows up the mansion to shreds. The slow motion shoots the PS3, ipad, and iPhone 4. The pieces are powdery. With the music of Pink Floyd, Antonioni seems to be lamenting the modern civilization. Destruction, too, seems to herald an era of MTV sensibility. What's excellent is that even if the author does not have a favorable impression of the student movement, the explosion of the mansion in the end is like the post-80s generation in the SAR. However, Nan Ke Yimeng and Antonioni's position is very transparent. His stance is clear. He distrusts the alienating establishment, party-running politicians, and even if the young people get nothing in the end, he encourages and promotes unsullied whimsy.

"Confession" also ends with young people setting bombs and ending in super-long slow motion. Compared with the former's affinity and pureness, the latter's scheming is obviously filthy and hostile to young people. The most interesting thing about "Confession" is, of course, the so-called acting demonstration of Matsu Takako's 30-minute long speech to classmates in one breath. From top to bottom, from the beginning to the end, she combines psychological Doctors and private investigators know the behavior of young people very well. They have no understanding of the naivety, paranoia, vulnerability, and madness of young people. They only ridicule, ridicule, and abuse them everywhere. The fault of the film is "Longzi Cheng Ye, Ryuko Losing", the first scene is too eye-catching, the teacher's acting skills seem to be good, the adults and the audience take advantage of the situation to eat, live and beat them together. It's not a city forum, and it never invites a female student from the Jockey Club Middle School who wears black-rimmed glasses and a 30-degree cold shirt to speak.

As a matter of course, the author immediately set the tone for the film. The children are either vulnerable, or they are sore, boring and cruel, and they must not jump to the tone in the future. A virgin junior high school student went to a prostitute. The prostitute charged him, but kept laughing at him for his lack of hair on his feet, a soft-skinned snake, a long foreskin, a green head that popped open, turning around the house and trying to slap his old mother. If you are not angry, can you live without evil? The problem is, if the young people really draw their swords and put the swords of the adults on their necks, they will fall into the traps set by the adults. It's too violent, you're robbing the iron horse, you want to use atrocities to impact the destruction of social peace, call the policeman tower.

With his face as white as paper, with no flesh and blood, he wrote a few jokes about putting petrol bombs on the Internet. Compared with the American imperialists in the 1970s, the Japanese invaders after the millennium, the first type of danger of the new wave, the young people in the SAR can be said to be even more pitiful. Whether it's a film review or an essay, when will the SAR come up with the first article that stands in the position of the two classmates AB and jokingly blows up the youth of the Liaison Office of the Central Committee, and speaks for them?

View more about Confessions reviews