"Lebanon"

I like this kind of film the most. It has space for people to think about, and it has a relatively unique film language (it’s too difficult to be absolutely unique in film audio and video today, and it was basically exhausted in the 1960s and 1970s).

The focus of the film from beginning to end has always been derived from the true nature of human nature, which is why the director does not approve of simply classifying it as a war film. Those war films in the past were just flashes, which made people feel sensational. The plot continues throughout the film. As a result, at the beginning of the film, people had a very strange "indifference and disgust", which was gradually replaced by "contradictory reflection". At the end of the film, a relatively self-owned "anti-war view" was formed.

The truth is not necessarily the morality itself (of course, the morality itself is "advancing with the times"), and the truth cannot directly change those "interest groups" that cause war, but at least it can bring some emotional talk. I have always been a pessimist.

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