The strength of the long-standing admiration for British cinema is largely due to Guy Ritchie's dark humor.
In his world, all the characters are passionately doing their own thing, and doing what they do, they mix with other people who are equally passionate, and then shoot, vendetta, and finally survive. Generally, they have the treasure that everyone wants, but they don't know it. Dead people always end up not knowing why they sacrificed themselves.
The plot endows these people with confusion and incomprehension, and various unknowns are entangled around the characters of Guy Ritchie. Many people see happiness, but I have always felt helpless.
The unknown makes life show its own beauty, and Guy Ritchie makes the unknown more freehand and helpless.
After listening to rock for many years, you will feel that the music you want is not tenderness or anger, no need to be intense and no need to moderate. But after you play an uncertain and unknown album, put on your earphones, and the music will sound and you will inadvertently have a feeling of being overcharged, and your whole body will float. At this time, the most important thing you want to say is: This is what I want . Cemetery intersection is such a feeling.
The pursuit of freedom in the unknown is a beautiful hope for the unknown.
All the people are unwilling to be ordinary. One of the three pursues career, one pursues Birds, and the other pursues a life that can balance them.
In fact, what everyone pursues is the vacancy that they most need in their hearts. When they get it, they fill it up, and then they get temporary peace and comfort. But then... Another vacancy, begged, filled, calm and comfortable. And then...
I am more inclined to regard all pursuits as an infinite yearning for freedom.
But when it's all there's maybe the most need is to throw away what you've got, no bondage, free travel...
running in circles
coming in tails
heads are a science apart
, you will find that what many niche art tells is a conclusion, life is a circle, and the pursuit will return to the original point in the end... What Guy Ritchie gives is a kind of helplessness that is unknown after serious pursuit. Guy Ritchie knew he was helpless in the end, but he let his characters pursue it.
I think the cemetery intersection actively allows myself to throw my heart out, and then go to the pursuit of feeling. He doesn't give us a conclusion, just a pursuit. If there is pursuit, there is hope. Maybe what you find along the way will return to the original point, but how will you know if you don't walk...
I hope I can still maintain a free heart, even if my body is no longer young...
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