I cut directly to some of my views on the film, omitting the long and thorough discussion, and I will talk about it in detail when I have time.
Directly from about 1:07 of the film, a picture appeared. Seven girls dressed in different clothes were boringly playing with various poses on the stairs. If we imagined that it was a still life painting, a simple sculpture If so, this will remind us of the ancient Greek sculptures that symbolize beauty. This is very contradictory. In the distance of a meadow below the steps is nature full of lush green trees, which is the representative of complete freedom. Seven girls planned a midnight feast for their lovers, which was initiated by DAI, which is full of meaning unintentionally, and Dai has actually begun to awaken in his heart. The next scene cuts to a few girls running to the jungle to pick flowers, and there is thunder in the distant mountains (often there will be changes after such a scene).
At about 1:10 of the film, the camera cuts from the clock to the room, and the midnight feast is officially it has started. They wear makeup, flowers and greenery (natural), beards painted with male symbols (sex and desire), and Firma even drinks, followed by Rossi. In the banquet, the camera switched to the sound of the sea and thunderstorms (remind us of the change here), the feast was upgraded, Firma, Dai, holding a wine bottle, and other girls, dancing and laughing as if they were dissolute dancers, they His clothes slipped off his shoulders, but he didn't care. This process is accompanied by brisk music, as if it is a carnival, it should be said that it is a carnival.
Due to the variety of appearances, we can here regard this midnight feast as a Dionysian-like spirit stimulated by the action of Dionysus. It is similar, because it does not reach the carnival of the Dionysian described by Nietzsche. Dionysus symbolizes the indulgence of this emotion, which is "the total excitation and release of emotions". However, the Greek-style Dionysian emotion is a metaphysical tragic emotion. Dionysian sacrifice is to drink and get drunk and indulge sexual desires. For an individual, the Dionysian state is a state of madness that is intertwined with pain and ecstasy, and drunkenness is a state of reality in daily life, just like the state in which the wine glass in Ferma’s hand fell and shattered, and he slipped into a state of laughter. The key to the spirit of Dionysus here lies in the impulse of individual people to deny themselves and return to the noumenon of the world, and the liberation of this impulse is also the most painful.
We should note that the feast was presented by Day, and it was Firma who organized the substance and performed the most intensely. The proponent Dai has already hinted at her painful departure in the future (at the end Dai took a map and left a letter of confession and left on a boat to take an adventure), and the reason why Ferma showed the most thoroughness was because of himself It represents the liberation of the individual (you can see her yearning for home from beginning to end, it is a bit wrong to say that desire is a bit wrong, it should be said that she is uneasy and determined to return.) However, the breaking of the wine bottle implies the crisis of Dionysus, which The crisis manifested in the death of Ferma in the future (as a pagan her death was also predictable)
From this analysis, we can naturally analyze the film from the perspective of the sun god and the god of wine. In view of the time relationship , I will not write more here. (I will write a lot, too tired, huh, huh)
And what I want to analyze the most is not that, I can do psychoanalysis of Miss G's personality, let's go next time. Ha ha.
sleep! ! !
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