Life and troubled times, or death from turmoil and despair, or liberation and relief, the process of waiting for life to be saved will be long and painful. The fate intertwined by the four characters is the movement of the "Confessions". Until a sudden blue powder, the beginning of the beginning, the end of the end.
The music is not bad, the lineup is not bad, the striptease is not bad, but the mood is not right, if such a heavy film, once it makes people feel the traces of editing for the unexpected dramatic effects and collage-like story structure, it will be parsed out. A very dubious substance, that is hypocrisy.
In the process of waiting for the redemption, none of the four people (including the female clerk and the transgender person) is not extremely entangled, but after the middle section, everyone's unspoken expression made the film suddenly vent, and countless bridges were deliberately arranged by the director. Duan and magnified performances began to make me feel like a sitcom, such as the encounter between the mortuary and the stripper, such as the handling of the priest and the clerk, such as the dialogue between the transgender person and the priest before committing suicide, obviously the director failed to give the film what it should have. The kind of emotion that was fully released, the result was that the blue snow became extremely far-fetched, chicken feathers became arrows, needle tips became clubs. At the end of the story, although there are life and death, but to me, it seems to me that it is white and white without a trace. Then I can only say: You think too lightly about the mundane things in the world, and attribute it to the heaviness before the dust, which cannot be covered and interpreted by the expressions in the film.
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