I was shocked when I saw Donnie Yen rushing through the hail of bullets with three swords in the European War. I thought this movie would not disappoint me, there would be many such wonderful scenes. It's a pity that this is the only one.
Why did Master Liu inexplicably make friends with Chen Zhen, providing him with accommodation, giving him shares, and even a woman. Has it been mentioned in the play? The only possibility is that the pianist unreasonably spoiled the Japanese guest's song request. In this scene, there is nothing wrong with the Japanese except for being frivolous. Why did Chen Zhen conquer Liu Ye when he played the Internationale?
How did the Tianshan Hei Xia know the time and place of each assassination and then be able to save people? Anti-Japanese elements also have internal response? Who should be inside? Not at all. Anyway, this killing competition is being carried out "fairly".
Isn't it too mentally retarded for the Japanese intelligence service to let a woman who does not smoke to transmit information by buying cigarettes? Can't Master Liu see it? Not to mention Master Liu, Fang Qing's companions see that she buys cigarettes every day but doesn't even know how to smoke, isn't it strange at all?
In addition, has anyone been moved by the love scene between Shu Qi and Donnie Yen? Has anyone not guessed that Shu Qi will be killed? If so, please raise your hand. Shu Qi's role as a woman in the dust is really good. In addition, she didn't perform well in other aspects. She didn't see the appearance of excellent intelligence officers.
Chen Zhen's companions took such a big risk to break into the Japanese headquarters. In fact, from the audience's point of view, they were at a loss. What is the purpose, I don't know. Kill the Japanese? Well, I killed a few sleeping people. If there is a meaning to killing these people, the director didn't tell us what the meaning was afterwards anyway. Burn data? The same did not respond afterwards. Blast the house? I can't comment on this... In short, nothing was done. I thought they would save Chen Zhen by the way, but he retreated completely. Chen Zhen was the Japanese who took the initiative to let go
and all kinds of unbelievable plot developments.
For example, the reason why the Japanese want to let Chen Zhen go is to let him... let him do what? Healing? Is it okay to treat injuries in a Japanese hospital? To put it back into the concession, it would take a lot of effort to find Master Liu for it.
Why did Master Liu let his subordinates kill two Japanese soldiers? What is the reason for falling out with the Japanese like this? If it is to keep Chen Zhen, then in the next scene, Chen Zhen goes to Hongkou Dojo again dignifiedly... and for chips or something, Master Liu seems to have Fang Qing as a bargaining chip, but Fang Qing and Chen Zhen went to Hongkou Dojo together again in a blink of an eye. What the heck is the ballroom taking people out?
Very disappointed, really disappointed. The characters have gone beyond "thin" and entered the "weird" realm. There are also fights, except for the magical fight on the battlefield, whether it is the black man's rescue or the final dojo showdown is not good enough. And Chen Zhen recalled his sacrificed companion in the last few strokes, which is too synchronized with "Ip Man II".
It's boring to watch this kind of film that vents national emotions by beating foreigners. Actually, I really like Donnie Yen, Chen Zhen, and Bruce Lee. But this film ruined all three (including the good impression of Bruce Lee's smashing scenes)...
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