At the beginning of the film, Aram Sandler roams the streets of New York on a new type of bicycle. The poetry of the picture makes him appear like a city wanderer, but the plot is biased towards a more serious social event: 9/11.
There are details such as asking visitors to take off their shoes, renovating the kitchen, anti-work, etc., and the screenwriter embeds it just right. In fact, this is a film about a mid-life crisis. Whether it is sudden change or gradual change, due to the certainty of the future and the continuous reduction of possibilities, all the beauty of life is too formal, and the pain is more exaggerated. Losing a loved one might make one think a little more about what life is about.
On the other hand, Liv Tyler really got fat.
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