Is it more important than winning or losing, or is it more important to eat with the family?

This is the worst result that these few people can make together. The emotional drama is rough, and the action drama has no new ideas. Of course, simple structure is good. I wonder if it is too low to give one star, but if there is a little pursuit of a movie, a little heartfelt and innovative movie should not be like this. This is just the most standard money-making sequel movie. Of course, you can also say that in the days when Hong Kong films are so bad, this movie is still good, but I just accepted the plots that I can think of without my head, and what's new about fighting?

When I saw Ye Wen fighting with Boss Hong, when Ye Wen said that it was more important than winning or losing, or eating with the family, I thought it was really good. But in a blink of an eye, a foreigner appeared. Boss Hong was beaten to death by foreigners for the sake of face, and of course you can call him national dignity. (And it must be because of the physical or some reason that he lost.) Then I very much want to know what is the use of such a national dignity that brings ruins to the family. Immediately afterwards, there was a Ye Wen who ran over to compete with others regardless of the birth of the child. Why can't you wait for the child to finish before competing? What if you don't win? Is it more important than winning or losing or eating with family?

Also, why do you keep letting foreigners play tricks, and then the referee keeps pointing at foreigners, and in the end we still win? Then why do we foreigners stand up and applaud after you talk a lot? As a national hero, can't I just steal and play tricks? After you want to hit your head, you suddenly understand and knock the opponent down? It's not as fun as Japanese kendo!

This kind of performing arts movie, when the stars are in place, everyone will naturally watch it. Martial arts films, musical films, Japanese martial arts films, Japanese literary films, Japanese literary martial arts films, everyone buys tickets to see what star is on the cover. Even if he doesn't have new tricks, it's worth seeing him. It seems that people didn't say they had to innovate. They found two people who can play the best in Hong Kong now. Maybe I still want to see a martial arts film of the "Jingwu Heroes" style. Chen Zhen in there can find a Japanese girlfriend, quit the division for him, but finally fight the brutal Japanese soldier for the division. As for martial arts, it is even more effective by drawing on the strengths of all the families, making it faster and more powerful. This kind of soul created what could be called the greatest martial arts competition in the history of martial arts between him and Funakoshi. Now Donnie Yen has reached a certain attainment in martial arts. Can he meet the director who has pursuit and pour his soul into Donnie Yen's martial arts? Bruce Lee's "Fist of Swords" Jet Li's "Heroes of Swordsman" is ahead, and his "Fighting Warriors" is about to be released. Let's see what it will look like under the director of Chen Jiashang's producer Liu Weiqiang.

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