The crystallization of the strength of two sexy superstars

Abe 2022-03-22 09:02:01

At first, it was aimed at Paul Newman, and I didn't have much hope, but it turned out to be an unexpectedly warm film.

Paul, who was in his 30s at that time, also happened to interpret the more than 30 decadent protagonists in the film, and Elizabeth Taylor, another most beautiful woman in the world, was also brilliant. The acting skills of the two prove that they are not just beautiful and handsome, but more of a consummate acting skill.

This movie is more like a warm family movie, condensing a lot of portrayal of our real life. Trust, the word is eternal, precious but rare. True love is equally precious and equally rare. And these elements are very clearly explained in this film. The most gratifying thing is a happy ending. It may be that I haven't seen such a happy ending for a long time, so it is worth it.

It is also worth mentioning that the acting skills of Julie Anderson, who played Paul Newman's father and mother, are also worthy of admiration. That era was indeed the era of producing powerful superstars.

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Extended Reading
  • Eulalia 2022-03-27 09:01:09

    The script of tennesse williams is too strong, Taylor is so beautiful, and Paul Newman is amazing. Do you know what i feel..i feel i was like a cat on the hot tin roof.

  • Mike 2021-12-22 08:01:06

    The shackles of patriarchy gave men more "stubborns" than women, and the railings set up to prevent "successors" from escaping from "Besieged City" were only high and not low. This may also be the reason why the frustrated "cowards" have become increasingly conservative and submissive, and have had to reinvigorate the "male prowess" by suppressing, humiliating, and persecuting women. Compared to "The Clever Woman of Zhu Men", the "wild horse" who experienced the lack of freedom earlier in the marriage is also the one who learned the "learning" earlier. Regrettably, women in the late 1950s were still having dreams on "hot tin roofs"—there were still "sex" motifs that accompany drunks to buy drunk. The core image of the heroes and heroines is that they are cats who "do not know where to have sex." The male protagonist who relied on the "smart woman" to stand up reluctantly became an unfilial offspring because of "absent-mindedness." His self-loathing originated from chaotic self-awareness, and his "self-criticism" eventually reduced to the sympathy of the "daddy" Vent his emotions. Obviously, the last scene is the transfer and sharing of the scepter, and this "Beast in the Heart" is also destined to make our generation "The Beast in the Heart" as cowardly, hypocritical, greedy and ugly as our parents.

Cat on a Hot Tin Roof quotes

  • Brick Pollitt: Don't make a fool of yourself, Maggie.

    Margaret "Maggie" Pollitt: I don't mind making a fool of myself over you.

    Brick Pollitt: Well, I mind. I feel embarrassed for you.

    Margaret "Maggie" Pollitt: Feel embarrassed? Well, I can't live on this way.

    Brick Pollitt: You agreed to accept that condition.

    Margaret "Maggie" Pollitt: I know I did. But I can't! I can't!

  • Ida 'Big Momma' Pollitt: When marriage goes on the rocks, the rocks are there.

    [pats the bed]

    Ida 'Big Momma' Pollitt: Right there.

    [pats the bed again for emphasis]