Seven young people who like to crawl and jump and are agile, from the story on the surface of the film, they raised money for the risk of stealing for the child with the transplanted heart, promoted justice, and got a happy ending. But after watching it, think about it, under this sensational (perhaps inaccurate, please correct) appearance, they are actually trying to get rid of an unreasonable but helpless argument or guilt, because their agility has become the object of children's worship and imitation, It is as unreasonable to blame them for the harm caused by external forces, which is as unreasonable as the criminal who kills people to blame the knife sold by the knife shop for being too fast, but when it comes to vulnerable groups (such as children, women or the elderly) or people who are ignorant, it seems unreasonable. Pale and powerless, in the face of them, the kind-hearted heroes seem to be inappropriate even to defend themselves. The process of seven young people struggling, struggling, and being freed from their conscience and responsibility is the real highlight of the film.
The second bright spot is the controversial policeman. He is a friend of the seven young people and doesn't want them to be harmed, but he also bears the responsibility of a policeman. In the chief's vindictive pursuit and the safety of the young people, he He struggles with hard work, and balances his efforts on the scale of friendship and justice. The most exciting thing is that after he was tricked by rogue politicians, he lost the first chance in a bet with seven young people, but because he was a policeman, he couldn't. It doesn't stop them from stealing the politician's house, but we can see that the obstruction is pale and weak, and we can see that he is also very annoyed and hesitant. On the one hand, after losing the gambling game, because he was a police officer, he had to stop his friend from stealing the house of the rogue who made him lose justice. But his method failed so much, he hated that rogue politician, and he couldn't watch the crime happen. He kept struggling with one contradiction after another, hesitating, trying to get rid of it, but all failed. In the end, he had to choose to escape. Get rid of it all. In terms of police duty, he did it right, and he was convinced of it, otherwise he wouldn't have pointed out the children's line twice in a row, but morally speaking, he was wrong again, a dead end between means and ends. It was so complicated that he came across it, which made the character rich and profound. Fortunately, the director gave a happy ending. If the seven young people are hurt because of his alarm, then he is not a problem that can be solved by escaping... He is
also equipped with stunts. A heroic story, compared to the vulgar and simple plot of "Spider-Man" of the same period, Luc Besson once again let me appreciate what a real movie is. There is no omnipotent hero in the whole story, just a group of young people who are alive, energetic, and have a sense of justice. Even when they miss the theft, the poor are bitten by big dogs and run around, and love is not exclusive to The idol of scenery has a reality that is very close to life.
In fact, in our lives, we are often like the police chief who sticks to his post and follows his own principles without thinking about the real goal of his work. A sick child who seems to have nothing to do with everyone and is still in life. Many, close your eyes and ignore it, maybe you can pass, but it is easy to lose the true meaning of life.
A group of real and simple children, children who can only collect enough medical expenses even if they sell stolen goods, give us not only these, but more, more...
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