When big is no longer cynical, he has turned into a suave and suave, and likes to sit at home and watch a black and white movie on a 30-inch flat-screen LCD TV. His exhausted and absent-minded look makes me depressed. Two full hours. He is no longer the winking, arrogant and egoistic aircraft carrier, the once incomparably powerful aura no longer exists. Although, he can still hold Carrie. But, after all, he has been at home a lot: this male "person" named John began to become attached to his dear wife who couldn't cook, and began to go crazy for his dear wife accidentally kissed his old love for a long time. Do your best to please the little girl he once played with in the palm of his hand. Big lost his dreamlike omnipotence, no arrogance and arrogance, and he and Carrie became a fairy couple in the world. Even the new good husband: Bored enough to take the initiative to join a husband's sorority, play golf, watch nanny with no bra.
Alas, it may be the sentence: the older a man is, the lonelier he is. So he had to compromise with life. In my mind, the perfect image of the once-mountainous BIG was gone. So first let me observe a minute's silence for his classic on-screen image~
and then on Carrie. Very good, very powerful, because it is still very true. That little bit of cleverness, little humor, that little bit of work, very temperamental. When her old relationship with Adien rekindled and she was impulsive in middle age, I thought it was normal, otherwise it wouldn't be Carrie. It's just that her "confession" is too emotional: because I miss that period of young years, the age of innocence, when I used to be madly and desperately in love. OMG, lines like this are so sad. It will be a sad episode in any play, let alone say it from my Icon mouth. There's a scene in the movie where Carrie emphasizes that she's Ms. Preston, and that really took me by surprise, and that's definitely a huge failure, because it reminds me of that scene in "Uncle". When will Carrie be so shrewd cheesy! ! ! So let me also pay her a minute's silence.
C and M are very original, and there is almost no essential change. It's just that Miranda is too old to make me feel bad (the stylist is so irresponsible), that iron lady, that iconic upward fist move, reminds me of her sharp edge at that time. But M is still stubborn and strong, still the M I like. C in the market to buy parallel Rolex and roadside T-shirts I was taken aback, that Charlotte who loves to wear Burberry.
S, I have always looked up. "It's girls' night, but tomorrow...", as always bold and professional, makes people applaud. However, at the end, her performance is a bit too much: when it comes to money, when it comes to sex, it's really a bit crazy to vulgar. It's no longer the calm, graceful and sarcastic face of culture shock. Dear Sam, although I love your true nature the most. Here, I still want to pay you a minute of silence.
To sum up, this is a very life-like film, bland, because their lives have long been unmoved. After marriage, chai, rice, oil, salt, sauce, vinegar and tea, they are getting closer and closer to life and farther and farther from their dreams (despite the luxurious travel scene).
They're all getting old, and those old ways are getting farther and farther away from them (luxurious freedom is no longer the way of life they're after, save for Sam). Of course, I still have love for them, and it's still very, very deep. Silently hope that there will be no more SATC 3. Of course I also know, if there is, I will still watch it.
PS The whole play, Stanford makes me very pleasing to the eye, it's small, it's very cute.
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