-Anaïs Nin
Erotic movies and porn movies are different. Erotic movies are a lot more noble in comparison with a lot of nudity and filthy scenes to stimulate the audience's sexual desire. The erotic movie I define should at least have a compelling storyline, the protagonists should love each other and not just physical attachment, and a good erotic movie should have a warm and beautiful picture, with artistic color, not just exposing male and female genitals The selling point of the film.
It is said that pornographic movies are graded, and the grades are distinguished by color, which is impossible to verify. However, what I do know is that tertiary films and pornographic films (non-American Films) are very different, pornographic films should be classified as pornographic films, and short films are called small films, while tertiary films should have pornographic films It has the characteristics of story development and continuation. If it has no other content except sex scenes, then it is not a tertiary film, but an pornographic film.
Erotic movies all belong to romance movies, and I don’t really like to watch romance movies. Even if I watch it, it is the kind of classic that has been demonstrated by thousands of people. It is best to be a unique and unrepresentative deformity. love. Of course, that wasn't because my sexuality strayed from the norm or had an unorthodox view of love. On the contrary, ordinary love happens every day around you, and you, who are tired of seeing normal men and women, have a lot of love, so you need a different kind of eroticism to reconcile.
"Henry & June" ("Henry & June") is the most violent erotic movie I have ever seen, Hong Kong translation "Love June Flowers". I think the Hong Kong translations of many European and American films are very ambiguous and fragrant, and you can see their general characterization at a glance.
Anais Ning in the movie is a woman with a wide forehead and a short face, her eyes are sad and empty, she likes a long black dress, and she is charming and passionate. I have seen the original photo of Onnais, and she also drew such deep eyeliner, her expression was indifferent and calm, with a bit of resemblance.
As a pioneer of Western women's literature in the 20th century, Anais' diary novel "The Dairy of Anais Nin" is full of exploration and desire for sexuality. Records of pure thought, neurotic, morbid groans, for example, she would groan out sentences like "feeling a kind of physical pain and hunger, as if a hole was burning with no cure". However, you can't get tired of her words, and you will even like her sweet, soft and heavily accented English.
1931, Paris, France.
The destitute Henry Miller sent some of his new manuscripts to the wife of Hugo, an American banker, because he had heard that the woman was extremely literary, and Miller wanted to try his luck and get some sponsorship. As a result, he successfully won the favor of this woman. This woman is Anais Ning.
Anais Ning is a talented woman who takes the loyalty of marriage very seriously. She has a good family and has no worries about food and clothing. Under the love and pampering of her husband, her arrogance has intensified. First, he seduced his uncle, then the owner of the publishing house, and the American writer Henry Miller, who was not favored at the time. Anais helped Henry rent a house for him to write attentively, and at the same time, it also provided convenience for their private meeting.
Henry Miller's life can be said to be the most corrupt, in addition to thinking and writing is drinking and prostitutes. The top of his head is bald and the corners of his eyes are deeply wrinkled, but he has a tall and handsome nose and deep eyes, and the cynical frivolity he exudes when he smiles attracts Anais. Henry deliberately resisted Anais' approach and turned a blind eye to her admiration, but after the lavish reception, the alcohol burned their reason and finally embraced. One step beyond the pond, there is a second, a third, and they even have sex behind the garden tree wall below while Hugo is playing guitar on the sun deck.
Soon, Joan (played by Uma Thurman) appears to reverse Anais' single sexual orientation. Joan is Henry's wife and a dancer. When Henry married her, he loved her madly, but Joan's whereabouts were very mysterious and she never made any explanations. She always had her own way to get money for Henry to make ends meet. Writing Life, she claimed a patron who liked Henry's work kept giving them money. On a snowy night, Henry, pretending to be out of town, secretly crawled from the sewer pipe to the window of his home and looked in. What caught his eye was the mysterious patron and his wife playing a sexual abuse game, which made him Burning with jealousy, he resolutely left her.
Soon, Joan came to Paris to find Henry, and the two reunited. At the same time, Joan's appearance attracted the attention of another person, that is, Anais. There is no doubt that Joan is beautiful, she has a stunning appearance, a sexy and charming figure, and a maverick personality, all of which make Anais fall into it. They go to gay bars together, touch and kiss each other naked in dark and shabby rooms, but they each maintain a physical relationship with Henry and support him until Jean realizes that Anais and Henry's relationship is not so simple as friends, So jealous, jealous, and finally slammed the door and left in a rage, which broke the deformed relationship between the three.
At the end of the film, Henry completed the famous Tropic of Cancer and published it smoothly, and Anais said goodbye to Henry and left him absolutely. She got into Hugo's car and gradually drove out of the alley, followed by Henry, who was staggering on his bicycle. The whole picture is pure and bright, and the narration is that Anais softly uttered a paragraph, which is just as recorded at the beginning of this article...
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