Wow - a lively pseudo-mother. How could any actor be able to express the words and deeds of an old gay so vividly?
With the sound of the snow, the crunch of the snow is just right. And , the sculptural lion that suddenly appeared in the cemetery; the magnificent scene of the boss's daughter's wedding; the twinkling of Ni Hong in Kabukicho...
All these are really constructed with brushes.
In the past, thinking about the backwardness of Chinese animation was nothing more than childishness and boredom. However, in Jin Min's animation world, I have a new experience, and that is the attitude of animators. In Japanese animation, the animators treat animation as if they were movies. Whether it is performance, picture or sound, even the small details that flash by, must be carefully scrutinized to achieve perfection.
Since it is regarded as a movie, the tentacles of animation can become far-reaching. In fact, aside from this image expression, every film is a good film. What's more, the fantasy and exaggeration of animation are beyond the reach of movies.
Extensive selection of materials, meticulous performance, exquisite production, and deep thinking of the animators. That's why cartoons are more than just kid-pleasers.
Or, for Chinese animation, what should be learned is an attitude.
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