In fact, this is indeed the case. There are always 7 women, and the most important Nicole has completely turned into a vase. Apart from beauty, there is only beauty left. Every line of that line, or that song, was sung outside of my emotions. As an audience, I couldn't get into the play. Although the connection of the story, the ups and downs of the plot, more or less let the strong propaganda of Nine hurt the hearts of the fans, but I began to be obsessed with it after the end of the film.
Let's talk about the famous director Guido Contini. A genius, an Italian genius. But when he told all the media to start filming, the script did not even appear, so he began to be bound by the former halo, became restless, and became a madman curled up in a shell. Genius is like a child when the gift that God bestows on him wears out or is regarded as a constant. Genius is mostly a child. In this society belonging to ordinary people, they have endured too much, but they have become at a loss. He wants to cry, why do I have to do this? Why do people force me to expect so much? I was just a kid who wanted to make a movie. He began to decompress through different women and seek extraordinary pleasure, which I understand as a disguised pleasure and release obtained through cheating. There are all kinds of women around the director, virtuous, sunny, wild, only you can't think of it, and there is nothing you can't find. Oh, no, it's the man's side, but the directors among the men are literary and artistic. The literature and art are unrestrained and inclusive. It is a beautiful excuse.
I am afraid that there are so many women in the whole movie that they are about to overflow, but I really have no way to describe the mistress, the slut, or the ideal lover who exists like a goddess. I always put my eyes on his wife Luisa, her laziness, her generosity and her deep love for Contini, who loves the director as an actor, loves her husband as a wife, loves her husband as a wife Workmates admire her friends as much. But all this did not collapse when the mistress appeared, nor was it forgotten after the busy work, but quietly exited the stage in a gesture and a sentence. During an audition, Contini put her eyes on the new actor, gently removed her hair, and said, thank you for being so beautiful. Contini, have you forgotten? You did the same thing and said the same thing to your wife and you thought you were responsible for a film? Or thought it was part of your aesthetic? But love your wife, she always thinks it's a sign of love at first sight, it's the unique gesture and tone of your love for her. Thank you for reminding me that I'm not the most special, Louisa said. You don't know what you're doing at all, do you? Do you want me to forgive you in the name of creation? Yes, but in my heart I will not forgive you. Because I can't, ever. I'm glad I'm here today, I can't see hope anymore.
The bottom line in my heart collapsed at this moment. If I am not unique to you, how can you tell me to endure your derailment and still firmly believe that your love will never change?
Contini went to another city, and he understood what the bishop said to him at the beginning, Italy does not only exist in eroticism, why don't you look at such a city with another eye? Yes, I will make a one step movie about a wife and husband.
The light always illuminates the way home, and love should illuminate the path that you and I grew up on.
From the perspective of lens and light, the film is very charming, with alternating black and white and color. The most joyous place is probably the meeting between the lover and the husband. The cowardly husband actually asked the lover if I could take my wife away? Maybe that's how the woman knows that I can't live without him. The connivance is because the one who loves you can't give up, even if you put a huge green hat on me. As for the lover, there is nothing to say, isn't it?
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