There is no doubt that Japan is the most representative Asian animation film production country. We have to admire the maturity of Japan's animation industry chain. Almost all of its animation-related works can be made into movies. But after watching so many Japanese animation films, the main feature is hand-painting. Japanese animated films always give us a warm, sweet and comfortable feeling. They use relatively few technological means, and do not have the stiff and cold feeling in European and American animations. It looks more comfortable and warmer than European and American ones, which also makes some people more inclined to this warm feeling.
Personally, I don’t really like animations designed by computer software such as 3D and MAYA. And after watching "9", let me start to re-examine the animation film under the computer design. In this film, the design of the protagonist robot is very rough, with coarse cloth and twine, and all the parts on the body are found and pieced together from the ruins. However, it is these scribbles, these broken parts that let me see that the objects designed by the computer can be so delicate and realistic.
At the beginning of the film, the scientist's fingers amazed me, "How can it be so realistic and delicate, it really looks like a human finger"; the skin of the robot is designed similar to sackcloth, and each line is staggered and criss-crossed. Clear, you can clearly see the interlaced lines of each line; their fingers of different materials, iron, wood, cloth, each material is very realistic. And the dark design scene of the whole movie is the most realistic in my opinion. With the advancement of the film content, different scenes are constantly changing, and these scenes are mainly steel, steel in the ruins. I feel that the biggest success of the whole movie is in the design of these scenes. The design of realistic steel material makes our vision seem as if the real life situation, the robot seems to be running in the real society, although the background is dark, but it is real Sex, and the feeling of real burlap emanating from the robot, make the visual effects of the entire film's steel-themed design less cold, and this authenticity fills the comfort that computer design lacks.
From the content point of view, the theme of "9" is actually very old-fashioned, and it is also a topic of alerting human beings and preventing the excessive development of technological machines. But I think it's better than the fact that the film uses the most inconspicuous and dilapidated little robot as the protagonist. Perhaps the success of this little person will enable him to surpass the huge machines made by the blockbusters. Let
's just compare the content of animation films made in Asia and Europe and America. European and American films focus more on human society and the entire planet, while Asian films are mostly about the emotions between people. Two different main lines make it so. The scenes of the films produced are also different, so we often see animated films produced in Europe and the United States with huge scenes and amazing visual effects. Asian animated films are warm and low-cost. Maybe it has something to do with the cost of making an animated film.
For the future development of animated films, whether technological means are dominant or hand-painting is more dominant, with the current production process and development status of animated films, we may be able to see some results. But no matter which side has the advantage, it is not the current advantage of Chinese animation films. While we are lamenting the superb film-making skills of others, we are also constantly learning. Fortunately, we have achieved some results in animation films in recent years, allowing us to see a few films that are still selling. In the process of learning, we may be able to surpass, but if we really want the qualitative development of China's animation industry, become a means of improving our economic development, and become a new chain in the cultural industry, then we must learn to create and create our own animation technology.
China has a lot of historical and cultural resources that can be used. I don’t want to see our culture in other people’s animation works. Since it is ours, the right to develop and use it should take priority over us. Therefore, I look forward to the day when China's animation industry is huge.
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