But there are some places in the middle where I also I don't really understand, how did Paul know that Anna was a spy? It seems that I messed up a paragraph and didn't understand it, but it was exposed too quickly anyway. . . . What's going on? Anna's underground gangster is showing a fox's tail; how could Anthony trust Paul so much in the first place?
Then, as the movie unfolded, the director finally smoothed out the bunch of threads that had been cut and cluttered at the beginning, leaving only two points of focus: who killed Paul's friend? Who is Junko from? Then gave the final explanation: it turns out that all of this is the power of love!
Tanaka, the seemingly sinister and unscrupulous spy chief, killed his rival in a rage because he was jealous of his lover Junko being with other men. In fact, he had no idea who the person he was killing was. Chongguan became a red face when he was angry." Ah. In the end, he was very helpless and personally ended the life of his beloved woman. Anthony, although his wife has always regarded herself as an umbrella, and is more grateful to her than love, she still let her wife go with other men at the last moment, and asked Paul to take good care of Anna. Paul, who was stunned by Anna from the very beginning, has been recklessly in love with Anna since then, and suffered countless sap for her head, but after all, our uncle is the protagonist, the protagonist's treatment is favorable, or he ran away with the beauty. , Saying that the two escaped together after the fall of Shanghai, it was a bit like Gone with the Wind Rirett and Scarlett rushing out of the war in a carriage. When two people answered questions at the gate, they were like a World War II page sign!
All in all, the three men in this movie, who are about 150 years old together, are so innocent that I can't help laughing when I am a little moved.
So this movie has espionage, a background of the Anti-Japanese War, conspiracy, and politics, but they are all shells that help, and the real core is love.
This kind of treatment really made me feel a little uncomfortable, because a vigorous spy feast forced the director to finally turn it into a love side dish. Although they were all delicious, it was like pouring into roast duck rolls. There is a thick layer of cheese, the cheese is good, the roast duck is good, but the dishes are not like this.
I've been a little distracted while watching this movie, it doesn't particularly appeal to me, it's a fact. . . . It can only be said that, after all, it is just a commercial film, and the screenwriter wants to include various elements to attract attention, but it is counterproductive.
But I have always liked the male protagonist John Cusack, so I still affirm his acting skills and efforts~~~~
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