But a more critical question is, what should she wear?
The film's costume designer, the famous Arianne Phillips, was still excited in an interview: "We found countless dresses, the latest fashions, the most expensive antiques, all kinds of colors, styles, you know, like Moore wearing After I got on, I felt that it belonged only to her. Until that day, I walked into a clothing warehouse and it was hanging on the hanger in the last row. It felt like you finally found your amulet or lucky necklace Same."
The dress that Madonna's only designated stylist, Arianne Phillips, called a talisman since 1997, is a black and white WATTEAU DRESS. WATTEAU DRESS is a representative work of Rococo style clothing, created by the painter Antoni Watteau in his own paintings, which features a plump cape hanging from the shoulders over a flowing dress. In the movie, Julianne Moore, who was slightly drunk, danced gently in this watto dress, her cloak was flying up and down, she squinted at everything and felt sorry for herself, and finally, like a swallowtail swept down by the wind and rain, she threw herself on the ground. On the carpet, a rose-purple longevity cigarette was lit.
Seeing this, it's really hard for me to tell whether what I'm watching is a literary movie or a new season of GUCCI's spring and summer clothing blockbuster. Who told our director to be the master of the GUCCI brand, TOM FORD? In this very personal style of film, TOM FORD shows the usual delicacy and sophistication, and more. Although Arianne was an Oscar nominee, he personally arranged all the costumes of the leading actor Colin Firth, trying to restore the 1960s in every detail. The suit must be a single-breasted slim fit, no belt, plain white shirt with french cuffs, and a thin Windsor knot tie; cap toe pointed-toe shoes with a horsehair brush every day; thick-rimmed black-rimmed glasses (this may The best of all outfits); vintage check handkerchiefs, narrow solid tie clips, square cutout cuffs, "details are the devil". Coupled with Colin Firth's own classical temperament, each outfit can be directly framed as the cover of a fashion magazine.
Professor Fulkner in the film said, "The times when there is no time for sadness is not the times when I want to live." So if you have enough budget and don't mind the scorching eyes of passersby speculating about your sexuality, you might as well follow the map and go back. Go back to the 1960s to live a day, when the world allowed nobility and sadness.
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