Besides, in the battle with "Tornado", Ip Man's disadvantage at the beginning was mainly due to the disadvantage of strength and height and arm length. After the test, he used speed to reverse the situation to a certain extent. Later, he learned from Master Hong's experience and lessons. It has achieved the advancement of the plot in the martial arts process, and this kind of effort is more valuable for Chinese-language films. But think about what motivated Ye Wen to fight back in the end, "I can endure for life, but I can't insult Chinese martial arts", it's too simple. I don't deny that this sentence may be useful, but the meaning of a good movie is to use a deeper revelation to arouse the audience's inner resonance. Such powerless "rhetoric" really can't move me. Not to mention the paradox of the sentence itself: isn't it for life? Can you continue to live even though you know you're going to be beaten to death? Besides, Master Hong in this episode has too little explanation for the changes before and after, and is far less cute than Master Nie in the upper part.
If you know a little bit about history, you will know that those so-called "Hercules" at that time were not some highly respected boxing champions. It is a bit sad to think that these so-called "boxing champions" and "Hercules" are so powerful and vulgar in style, and they are proud of their nation by defeating these people.
As mentioned above, the breakthrough of the "Ip Man" series in martial arts is obvious to all. As a martial arts film, it is also remarkable in the rhythm and portrayal of the protagonist, but the theme still continues the "self-feeling" of Chinese movies for decades. good". As for why we are still bullied and looked down upon in our own territory, why the infighting between the gangs is serious, why the victory is based on the so-called single-handedness, and what can this victory bring... I haven't seen it yet. Which martial arts movie to explore in depth. And whether it is because I feel too good to think about it, or whether it is because the thinking about opening the scars will bring trouble to the film's distribution, we still don't know. But the actual phenomenon has already shown that this has not only become a collective embarrassment for Chinese films, but also a major chronic disease. If this disease is not eliminated, we can only get lustful by watching "beating foreigners" in the theater, until the collective impotence of this nation.
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