Once upon a time, in order to understand the obscure plot, he left the same incomprehensible mathematics, physics and chemistry to study the Bible and the Dead Sea Scrolls (later I learned that the two are actually the same thing); I vaguely remember that when I was in When I was struggling with endless pain and loneliness, Shinji was my mirror, and I became strong by meditating "I can't escape" countless times in my heart; as time passed, the AT-FIELD of my personality gradually strengthened, but today I encounter those familiar images. With the sound, it collapsed in an instant (even if it was changed beyond recognition).
Have to admit, I'm a kid with an EVA plot. A child similar to Shinji. Escaping reality is the only meaning of our existence.
Under the unremitting efforts in the past, a self-justifying understanding of EVA has been formed. I have always been proud to finally be able to call myself "I'm the **** who understands EVA" in front of others. The thing about the cup is that after today, my understanding of EVA has been completely destroyed by this "broken". Tears run...
After 13 years, Anno has also become a boring middle-aged uncle from the indomitable ruffian in the past. There is no passion for psychology and human nature in my youth, and only the naked call for love is left, which is exactly the same as the old saying "calling for love in the center of the world".
So EVA's new theatrical version is completely younger, and the battle scenes are more NB. Of course, this is based on sacrificing the depth of thought and the plot. While taking care of young and new audiences, Anno betrayed the emotions of our older generation.
Some scenes that we will never forget were tampered with...
I burst into tears again--
About the difference in the plot, I just turned to the film review and found that someone had already listed it clearly, so I won't say more, just express my thoughts on a few characters of resentment.
Goddesses
live by memory, and you are the exact opposite.
As a substitute for Wei, as a doll whose memory is controlled, and a container whose body is regularly replaced, the process of your ruthless and persistent search for yourself in the TV version and finally breaking through the cage is so shocking. Your picturesque frozen face is deeply imprinted in the life of a generation. It is precisely because of the rarity of the expression on your face, because you always have no emotions and only follow your destiny, so when you smile, when you blew yourself up to protect Shinji, you can touch the tear glands of a generation. But when the goddess of nonesses also cooks, smiles casually in front of a boy who doesn't know whether to call him a son or a boyfriend, and faces Asuka's questioning and ambiguous confession, he feels the warmth of love.
You are no longer you, at least no longer the you in my heart.
In an experiment, Yodomoto burned his hands in order to save you, and that pair of deformed glasses became your spiritual support, because it represents that there is still a person who cherishes you in this strange and cruel world (even if he is only from you Looking for Yui's shadow), you always wear those glasses on every dangerous mission. In this work, the glasses are replaced by Shinji's Walkman (Remnant)...
As an artificial life form, you, in order to seal all feelings. Every Rei's childhood must be spent in that disgusting dark laboratory. And your dormitory also looks like a laboratory, dark and lifeless. And now you have a kitchen~~, it's still so clean~~ that pair of glasses with the long bedside has disappeared~~
I know that many people have resentment for the new Lingbo~~, we are together The center of the world shouted: "Give me back to Lingbo~~"
Asuka
's role in the new theatrical version is really too small. Hasn't Anno considered the resentment of Asuka? It doesn't matter if you change your surname, name, military rank, etc., don't change the relationship between Gart and Asuka~~. It can only be said that the character's character is so thin that it is a blasphemy to the original work. The scene where the TV version of Asuka was trapped in her own past pain and was mentally attacked by her master and her apprentice was still fresh in her memory. The description in the new theatrical version that she used a strong stance to cover up her inner loneliness, helplessness and tragic past was completely overshadowed by the picture of her taking the initiative to get into Shinji's bed...
Where is that proud, selfish, selfish, selfish Asuka who
took over Toji's It's a chore, and when you're mentally eroded, you don't even give a lot of footage. Hey, it's too stingy, right?
Gart
, the most mysterious character in the original work, can't escape the fate of soy sauce...
Even the scene that inspired Shinji, who left NERV, to let him drive EVA again, was robbed by the new character.
Only the sentence "You are not the only one suffering" Anno
still didn't give an explanation for his death...
Miri
's most famous scenes are EOE's elevator farewell and confession with Gart's night walk. The new theatrical version also doesn't focus too much on her past with Gart. It just showed that she dared to act and did not act according to Yoon Yuandu's plan. Looking forward to the next episode~
In addition
, the first machine exploded and turned into a Limbo rescue operation led by Shinji. The plot that devoured the N2 agency and became the spokesperson of God was changed to the prelude to the third impact...
Xun, Shinji and you are really similar~
If you follow this plot, EOE (the previous theater) version) story was completely overturned, and we will see how Anno justifies it.
The above resentment
is just what EVA becomes,
because it has gone through a journey hand in hand with it in the past
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