poetic movie scene

Mathilde 2022-03-23 09:03:10

A young man who went to perform a certain task, in the process, experienced the baptism of thinking, life, life, and death;

the lines recorded in the movie:

A person, without love, cannot live!

Once you know a secret, you keep thinking about telling others!

Answer: "The good go to hell, the bad go to heaven!

. die!

Details:
1. He overturned the tortoise twice until it overturned and stopped moving, then got in the car and left. . .

2. He watched the dung beetle pushing a dung ball that was bigger than himself, trying to push it towards his "home"; the

tortoise, the dung beetle lived without complaint and diligently, let alone people?

Ending: He threw the leg bone of a man taller than himself that he had put away into the small river; the picture shows the floating human bone, slowly floating downstream in the flow of the river.

See:
1. The "modern" urban life in Tehran and the life in this small village with poor mobile phone coverage, which one is the most suitable place for us humans to live? Which way of life should be the reason and meaning of our human life?

2. Isn't human beings like that bone floating in a small river; yesterday, today, and tomorrow will all be drifting as always in the time river in the universe galaxy created by God?

I like it very much, the director's thinking and his pictures!

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Extended Reading
  • Maurine 2022-03-20 09:02:42

    Crap translation, Iranian movies are a big market, you can have a snack.

  • Lacey 2022-04-19 09:02:44

    An urbanite in Gone With the Wind goes to a village with a harsh living environment but a quaint heart - this is exactly what Abbas wants us to see. He separates modern consciousness from modern society and places it in nature. At this time, you can clearly see that modern people are living a Sisyphus-style life: they can neither integrate into the environment, nor can they Connect with others. Modern civilizations such as cars, mobile phones and currency are not only meaningless for the communication between people, but lead people to a more desolate situation - the cemetery. When the male protagonist drives the car to ask for help, uses the phone to find a signal, and shaves at the camera, you suddenly realize that he is the portrayal of each of us. If Hou Hsiao-hsien threw a seemingly unsolvable social problem at the end of "Southern Kingdom" as the car crossed the road, then Abbas will always follow the solution to the problem after modern people encounter it. Yes, his poetically timeless masterpiece is reminiscent of "Nights of Cabiria" and Fellini, and the scene of the ancient civilization carrying the modern man home is so beautiful that you want to cry.

Top cast

The Wind Will Carry Us quotes

  • Engineer: Hurry up. Get in.

    Farzad: I can't come now.

    Engineer: Why?

    Farzad: I need one more answer for the exam.

    Engineer: What is it?

    Farzad: The fourth question.

    Engineer: You don't know the answer?

    Farzad: No.

    Engineer: Why?

    Farzad: Because I don't.

    Engineer: What was it?

    Farzad: What happens to the good and the evil on Judgment day? "

    Engineer: That's obvious: the good go to Hell, and the evil go to Heaven. Is that right?

    Farzad: Yes.

    Engineer: No. the good go to Heaven, and the evil go to Hell. Hurry in and write that, then come back.

  • Engineer: But it wasn't Farhad who dug Behistun.

    Hole Digger: I know.

    Engineer: Who Then?

    Hole Digger: It was love. The love of Shirin.

    Engineer: Bravo! You must know love.

    Hole Digger: A man without love cannot live.