In the past few years, from the age when we were obsessed with movies, we have always talked about Wong Kar-wai, and will talk about "Fallen Angels" again. Friends will ask me why I don't want to watch it. I said that I am afraid of Li Jiaxin and Li Ming. There have been several times when "Fall" is being played on TV. I briefly watched a scene. Can't get into it, then I turned off the TV and sighed. I really want to watch it, but I'll leave it to the next time when I have the energy to watch it from the beginning. My friend said she understood, but advised me not to be influenced by them. This movie is to be seen.
This time, fortunately, it was okay. Maybe I was prejudiced before, Li Jiaxin and Li Ming are both okay. I remembered hearing that Director Wang didn't like his "Fall" very much later, for I don't know the reason.
Watching Wong Kar-wai's films, "Hong Kong" is undoubtedly the biggest label. This place will become the most charming place in the world. Many people like to go to Hong Kong to play and linger in the filming places. The Cantonese monologue is the key point and becomes special. It's nice, even a Western audience said that he had seen Wong Kar-wai's films, and somehow he couldn't help but admire the people of Hong Kong. I believe there are more exaggerated ones. And what I want to say is that the power in his films, the shock, has a double impact on Hong Kong people, because, for most people in their hometowns, their home is always the last choice, and the restaurant next door is always the last choice. It is more fragrant, and when I started to get used to going with the flow, and when my inferiority complex Hong Kong became unbearable in my eyes, his film can be said to rewrite my life, the impression and love of this family.
Today I am studying abroad, and I miss the atmosphere and scenery of Hong Kong for a long time, Central, Causeway Bay, Tsim Sha Tsui, Mong Kok, and I miss the feeling of looking up at everything in Hong Kong in the 1990s when I was a child. As I grow up, my longing for the city will inevitably fade away. I have changed, and Hong Kong has also changed. From longing to inferiority complex and then to movies, I have a sense of belonging, satisfaction and joy in a place. I miss the 90s, and I enjoy finding that feeling in movies.
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