It's actually a history of juvenile growth, Reivew on Love Exposure

The story is intermittent and the characters die one after another. In the end, the director came to punish the evil and promote the good with kindness. The worst person died, the deer people A, B, C, D, and D, but everyone who had love in their hearts did not die. Yujun also suddenly remembered the original incident, escaped from the madhouse, ran all the way to catch up with Yoko's car, broke the glass window, and reunited with the person he loved the most.
Such a visually expressive movie poster, so easily reminiscent of the interlude of the youthful years spent in panic, I thought it was a tragic ending. Surprisingly, like the Tokyo Sonata, the film's plot is brutal in the process, but it fixes everything in the end. Sono Ziwen, the screenwriter and director, seems to be a very complicated person.
There was never a moment when I felt bored and didn't want to watch the four-hour movie. It's a film I haven't seen in a long time.

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