In "Ultimate Imprisonment", you can see the shadows of countless horror and violent films in the past, aiming at the wide angle of youth, campus, and social life, and mixed with hysterical shouts, but it will always make the audience in the impact of deja vu. Laughing or sighing is like watching a crappy parody show.
In short, the name is used to bluff people, and the synopsis is a complete trap. It's just still bearable, the film retains a little of its own face. It is actually not easy to make the audience be patient, endure its nonsense while complaining, and deeply remember its inherently ugly face.
For me personally, conceivable violence is the limit of fear, more tormenting than seeing a skull. Bradley's process of cutting off his female companion's five fingers for himself, although it is fake like playing a game, but throughout the whole play, there is only this somewhat terrifying effect.
I think this movie is doomed to be a failure. From screenwriters to directors to actors, they are all half-baked. The whole story is cluttered, and what should be focused on is a hasty shot to leave; what should be neat and tidy, like a lazy woman's foot-binding cloth.
For five children who were bullied at school, it was too perfunctory to describe the process of character distortion, and the motive for the murder was too weak to stand. The idea is very good. They are discriminated against at school and lack family warmth. For a common goal, five children come together. Can be put into the camera, no matter how you look at it, it doesn't look like a comrade-in-arms with a common ideal. The depiction of human nature is completely taken for granted. Using other screen images as a model, even the "fantasy" of working behind closed doors is saved.
I thought that the girl who bought a hamburger in a fast food restaurant would lead the audience into the Valley of the Wicked. The weird airflow flowing on the black and white film should at least not be completely lost in the colorful later. I can't stand the unprofessional appearance, the pig's nose is just a green onion.
I thought the party had started. The five warriors would set up their submachine guns and shoot wildly. It was the first 30 minutes of the film. I wondered how they would play next? I really don't want to see the plots of being tried one by one without any suspense, and the karma of being escorted to the guillotine one by one. Of course, my assumptions are also unconventional, such an irresponsible waste of the climax of the story, followed by a life-and-death duel between imagination and execution, or the movie will die even more ugly.
The result is a candy ball that is too lazy to replace the candy wrapper. Children who haven't seen a few horror movies will laugh at it. It's still the same old way of saying, "You can't survive, you can't die." And it's a kindergarten version, nothing new, There are loopholes everywhere, and patches are useless. The saddest thing is that the actors all fainted, and none of them had acting skills.
I thought that the Indian child named Ravi was the commander of these five warriors. Isn't there a rage behind the endless humiliation? Right! "If you don't break out in silence, you will perish in silence." So before you can figure out the situation, let the kindest and most useless Indian children hang up and play a funny trick of not being afraid of being similar but not afraid of being different. Infighting, escaping, informing, chasing, and playing games in gangster movies. This feeling of tension can be said to have a speed of more than 100 yards, but you must not expect that the rhythm of "Ultimate Imprisonment" is so mysterious, mother-in-law, long-lasting, and makes people speechless.
The black boy asked the old man from the neighbor for help, which is completely another drama separated from the whole film. What kind of memories of the Vietnam War came up, and then a little discussion of human nature, and finally pointed at the nose of the government to correct his failure to save his comrades. Mistake. Then what happened? Then let the old man be a coward again and push the black boy to the throne of a pseudo-hero.
To be honest, this old man's appearance has only one purpose, to accompany the black boys to chat for a while. Whether the black boy returns to the scene of the murder will not make any difference. To save a Riggs whose tongue is about to be cut off, it turns out that the universe is so reversed, you may also ask, "What does this kid Riggs do?" Who knows? Anyway, this director is very generous, and he is really willing to go out. No matter who he is the protagonist or who is the key point, he can use it if he has any ideas, and let you show his face if he has any.
There is no difference between the main and the supporting role, and there is no distinction between the sub-emphasis of the story. It can barely be called a group drama, but it is a mess. Unceremoniously stealing the concept of horror explained in old movies, even if you can't paint a gourd, this is "Ultimate Imprisonment".
"Ultimate Imprisonment" is not good-looking, but because this film borrows elements of horror movies to explore the bad atmosphere in the campus, I still watched it in front of the screen. Just for the phenomenon of "the strong eat the weak" in the campus, after reading it, I feel an indescribable feeling of heaviness, and there is also a trace of intimidating residual warmth lurking in my mind.
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